Sunday, August 9, 2015

Punch the British magazine

Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration.

After months of financial difficulty and lack of market success, Punch became a staple for British drawing rooms because of its sophisticated humour and absence of offensive material, especially when viewed against the satirical press of the time. The Times and the Sunday paper News of the World used small pieces from Punch as column fillers, giving the magazine free publicity and indirectly granting a degree of respectability, a privilege not enjoyed by any other comic publication. Punch would share a friendly relationship with not only The Times but journals aimed at intellectual audiences such as the Westminster Review, which published a fifty-three page illustrated article on Punch's first two volumes. Historian Richard Altick writes that "To judge from the number of references to it in the private letters and memoirs of the 1840s...Punch had become a household word within a year or two of its founding, beginning in the middle class and soon reaching the pinnacle of society, royalty itself".

Increasing in readership and popularity throughout the remainder of the 1840s and 1850s, Punch was the success story of a threepenny weekly paper that had become one of the most talked-about and enjoyed periodicals. Punch enjoyed an audience including Elizabeth Barrett, Robert Browning, Thomas Carlyle, Edward FitzGerald, Charlotte Brontë, Queen Victoria, Prince Albert, Ralph Waldo Emerson, Emily Dickinson, Herman Melville, Henry Wadsworth Longfellow, and James Russell Lowell. Punch gave several phrases to the English language, including The Crystal Palace, and the "Curate's egg" (first seen in an 1895 cartoon). Several British humour classics were first serialised in Punch, such as the  Dairy of a Nobody and 1066 and All That. Towards the end of the nineteenth century, the artistic roster included Harry Furniss, Linley Sambourne, Francis Carruthers Gould, and Phil May. Among the outstanding cartoonists of the following century were Bernard Partridge, H. M. Bateman, Bernard Hollowood who also edited the magazine from 1957 to 1968, and Norman Thelwell.

Circulation broke the 100,000 mark around 1910, and peaked in 1947–1948 at 175,000 to 184,000. Sales declined steadily thereafter; ultimately, the magazine was forced to close in 1992 after 150 years of publication.

Punch was widely emulated worldwide and popular in the colonies. However, the colonial experience, especially in India, also had an impact on Punch and its iconography. Tenniels' Punch cartoons of the 1857 Sepoy Munitny, also called India's First War of Independence, led to a surge in the magazine's popularity. Colonial India was time and again caricatured in Punch and can be seen as a significant source for producing knowledge about India (Khanduri 2014).

Authors

  • Gilbert Abbott A'Beckett
  • Kingsley Amis
  • Alex Atkinson
  • Joan Bakewell
  • John Betjeman
  • Basil Boothroyd
  • Quentin Crisp
  • E.M. Delafield
  • Peter Dickinson
  • Willard R. Espy
  • Penelope Fitzgerald
  • Joyce Grenfell
  • A.P. Herbert
  • John Hollingshead
  • Thomas Hood
  • Chris Hutchins
  • Douglas William Jerrold
  • James Leavey
  • Henry Lucy
  • Olivia Manning
  • Somerset Maugham
  • George du Maurier
  • George Melly
  • John McCrae
  • A.A. Milne
  • Sylvia Plath
  • Anthony Powell
  • W.C. Sellar
  • Stevie Smith
  • William Makepeace Thackeray
  • Artemus Ward
  • P.G. Wodehouse
  • Keith Waterhouse
  • R.J. Yeatman

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