Lalo Schifrin (born June 21, 1932) is an Argentine
pianist, composer, arranger and conductor. He is best known for his film and TV
scores, such as the "Theme from Mission :
Impossible". He has received four Grammy Awards and six Oscar
nominations. Schifrin, associated with the jazz music genre, is also noted for
work with Clint Eastwood in the late 1960s, 1970s and 1980s, particularly the Dirty
Harry films.
After returning home toArgentina ,
Schifrin formed a jazz orchestra, a 16-piece band that became part of a popular
weekly variety show on Buenos Aires TV. Schifrin also began accepting other
film, television and radio assignments. In 1956, Schifrin met Dizzy Gillespie
and offered to write an extended work for Gillespie's big band. Schifrin
completed the work, Gillespiana, in 1958 (it was recorded in 1960).
Later that year Schifrin began working as an arranger for Xavier Cugat's
popular Latin dance orchestra.
While inNew York in 1960, Schifrin again met
Gillespie, who had by this time disbanded his big band for financial reasons.
Gillespie invited Schifrin to fill the vacant piano chair in his quintet.
Schifrin immediately accepted and moved to New York City . Schifrin wrote a second
extended composition for Gillespie, The New Continent, which was
recorded in 1962. In 1963, MGM, which had Schifrin under contract, offered the
composer his first Hollywood film assignment
with the African adventure Rhino!. Schifrin moved to Hollywood late that year. He also radically
re-arranged the theme for the popular NBC-TV series The Man from U.N.C.L.E.,
altering original composer Jerry Goldsmith's theme to a jazzy melody
emphasizing flutes and exotic percussion, which wound up winning the Emmy award
for Best TV Theme in 1965.
One of Schifrin's most recognizable and enduring compositions is the theme music for the long-running TV seriesMission :
Impossible. It is a distinctive tune written in the uncommon 5/4 time
signature. Similarly, Schifrin's theme for the hugely successful Mannix
private eye TV show was composed a year later in a 3/4 waltz time; Schifrin
composed several other jazzy and bluesy numbers over the years as additional incidental
music for the show.
Schifrin's "Tar Sequence" from his Cool Hand Luke score (also written in 5/4) was the longtime theme for the Eyewitness News broadcasts onNew York station WABC-TV and other ABC affiliates, as
well as National Nine News in Australia .
CBS Television used part of the theme of his St. Ives soundtrack for its
golf broadcasts in the 1970s and early 1980s.
Schifrin's score for Coogan's Bluff in 1968 was the beginning of a long association with Clint Eastwood and director Don Siegel. Schifrin's strong jazz blues riffs were evident in Dirty Harry.
Schifrin's working score for 1973's The Exorcist was rejected by the film's director, William Friedkin. Schifrin had written six minutes of difficult and heavy music for the initial film trailer, but audiences were reportedly frightened by the combination of sights and sounds. Warner Bros. executives told Friedkin to instruct Schifrin to tone it down with softer music, but Friedkin did not relay the message. Schifrin's final score was thrown out into the parking lot. Schifrin reported in an interview that working with Friedkin was one of the most unpleasant experiences in his life.
In the 1998 film Tango, Schifrin returned to the tango music he had grown familiar with while working as Ástor Piazzolla's pianist in the mid-1950s. He brought traditional tango songs to the film as well as introducing compositions of his own in which tango is fused with jazz elements.
In 1997, the composer founded Aleph Records.
He also wrote the main theme for Splinter Cell: Pandora Tomorrow.
Schifrin made a cameo appearance in Red Dragon (2002) as an orchestra conductor.
He is also widely sampled in hip-hop and trip-hop songs, such as Heltah Skeltah's "Prowl" or Portishead's "Sour Times". Both songs sample Schifrin's "Danube Incident", one of many themes he composed for specific episodes of theMission :
Impossible TV series.
On April 23, 2007, Lalo Schifrin presented a concert of film music for the Festival du Film Jules Verne Aventures (aka Festival Jules Verne), at Le Grand Rex theatre in Paris, France – Europe's biggest movie theater – that was caught by Festival leaders for a 73 and a half minute CD named Lalo Schifrin: Le Concert à Paris.
In 2010, a fictionalised account of Lalo Schifrin's creation of theMission :
Impossible tune was featured in a Lipton TV commercial aired in a number of
countries around the world.
Alternative hip hop group Blue Scholars recorded a track entitled "Lalo Schifrin" on their third album Cinemetropolis (2011).
Although Schifrin
studied sociology and law at the University
of Buenos Aires , it was
music that captured his attention. At age 20, he successfully applied for a
scholarship to the Paris Conservatoire. At night he played jazz in the Paris clubs. In 1955,
Schifrin played piano with Argentinian bandoneon giant Ástor Piazzolla, and
represented his country at the International Jazz Festival in Paris .
After returning home to
While in
One of Schifrin's most recognizable and enduring compositions is the theme music for the long-running TV series
Schifrin's "Tar Sequence" from his Cool Hand Luke score (also written in 5/4) was the longtime theme for the Eyewitness News broadcasts on
Schifrin's score for Coogan's Bluff in 1968 was the beginning of a long association with Clint Eastwood and director Don Siegel. Schifrin's strong jazz blues riffs were evident in Dirty Harry.
Schifrin's working score for 1973's The Exorcist was rejected by the film's director, William Friedkin. Schifrin had written six minutes of difficult and heavy music for the initial film trailer, but audiences were reportedly frightened by the combination of sights and sounds. Warner Bros. executives told Friedkin to instruct Schifrin to tone it down with softer music, but Friedkin did not relay the message. Schifrin's final score was thrown out into the parking lot. Schifrin reported in an interview that working with Friedkin was one of the most unpleasant experiences in his life.
In the 1998 film Tango, Schifrin returned to the tango music he had grown familiar with while working as Ástor Piazzolla's pianist in the mid-1950s. He brought traditional tango songs to the film as well as introducing compositions of his own in which tango is fused with jazz elements.
In 1997, the composer founded Aleph Records.
He also wrote the main theme for Splinter Cell: Pandora Tomorrow.
Schifrin made a cameo appearance in Red Dragon (2002) as an orchestra conductor.
He is also widely sampled in hip-hop and trip-hop songs, such as Heltah Skeltah's "Prowl" or Portishead's "Sour Times". Both songs sample Schifrin's "Danube Incident", one of many themes he composed for specific episodes of the
On April 23, 2007, Lalo Schifrin presented a concert of film music for the Festival du Film Jules Verne Aventures (aka Festival Jules Verne), at Le Grand Rex theatre in Paris, France – Europe's biggest movie theater – that was caught by Festival leaders for a 73 and a half minute CD named Lalo Schifrin: Le Concert à Paris.
In 2010, a fictionalised account of Lalo Schifrin's creation of the
Alternative hip hop group Blue Scholars recorded a track entitled "Lalo Schifrin" on their third album Cinemetropolis (2011).
To date, Lalo
Schifrin has won four Grammy Awards (with twenty-one nominations), one Cable
ACE Award, one Emmy Award, and received six Oscar nominations, and has a star
on the Hollywood Walk of Fame.
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