Tuesday, February 12, 2013

Craziest Movie Dialog Ever

[In the 1956 Danny Kaye movie The Court Jester in which Kaye plays gypsy turned jester Hubert Hawkins], Its most famous sequence was the pre-joust toast (between Hawkins and Sir Griswold), before which Griselda warns Hawkins about the location of poison in the toast vessel, with the famous tongue-twisting "Vessel with the Pestle" dialogue ("The pellet with the poison's in the flagon with the dragon; the vessel with the pestle has the brew that is true.") At first, "the pellet with the poison's in the vessel with the pestle; the chalice from the palace has the brew that is true!", but then one of the containers breaks, so now the flagon with the dragon has the pellet with the poison.
 
Hubert Hawkins: I've got it! I've got it! The pellet with the poison's in the vessel with the pestle; the chalice from the palace has the brew that is true! Right?
Griselda: Right. But there's been a change: they broke the chalice from the palace!
Hubert Hawkins: They broke the chalice from the palace?
Griselda: And replaced it with a flagon.
Hubert Hawkins: A flagon...?
Griselda: With the figure of a dragon.
Hubert Hawkins: Flagon with a dragon.
Griselda: Right.
Hubert Hawkins: But did you put the pellet with the poison in the vessel with the pestle?
Griselda: No! The pellet with the poison's in the flagon with the dragon! The vessel with the pestle has the brew that is true!
Hubert Hawkins: The pellet with the poison's in the flagon with the dragon; the vessel with the pestle has the brew that is true.
Griselda: Just remember that.
http://www.filmsite.org/cour.html

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Note from the Blog Author

After seeing The Court Jester as a  child, it was impossible for me, ever, to take Tolkien and his "Middle Earth" folderol seriously.  I just couldn't suspend my disbelief and pretend to respect the medieval notion that a heirarchical world was inherently good.  The chalice from the palace was broken.

The 1969 Bored of the Rings parody finished the job of ruining Tolkien for me.  The map on the inside cover of this book was all I ever needed to see or understand about the middle earth paradise.

Monday, February 11, 2013

Qualities of Great Bosses

Jeff Haden of Inc magazine dug up nine outstanding qualities of great bosses:
  • They forgive... and they forget.
  • They transform company goals into the employees' personal goals.
  • They look past the action to the emotion and motivation.
  • They support without seeking credit.
  • They make fewer public decisions.
  • They don't see control as a reward.
  • They allow employees to learn their own lessons.
  • They let employees have the ideas.
  • They always go home feeling they could have done better.
A full description with details is available at this link:

http://smallbusiness.yahoo.com/advisor/9-hidden-qualities-of-stellar-bosses-235805537.html

Sunday, February 10, 2013

How US Can Remain Competitive

Nicholas Bloom is an economics professor at Stanford. Rebecca Homkes directs the Management Project at the London School of Economics. The two of them together write the World Management Survey.
In the "economy watch" section of the Christian Science Monitor back in July of 2011, they wrote a short piece dealing with whether US management can stay ahead of China and India. Their answer was yes, but they emphasized three things that had to be done scrupulously.
  • Using metrics with management and following it on employee-by-employee. This means performance boards for each employee as seen at Toyota, Tresco or Walmart.
  • Setting targets and then monitoring and meeting those targets.
  • Offering incentives that reward good employees and push out the laggards.
This shrewd, concise and thoughtful article is available at the link below:

http://www.csmonitor.com/Business/new-economy/2011/0712/Can-US-management-stay-ahead-of-China-India

The Ruby Slippers

The ruby slippers are the shoes worn by Dorothy (played by Judy Garland) in the 1939 MGM movie The Wizard of Oz. Because of their iconic stature, they are now among the most treasured and valuable of film memorabilia. As was customary for important props, a number of pairs were made for the film, though the exact number of pairs made is unknown. Five pairs are known to have survived; one pair was stolen in 2005 and has never been recovered.

In L. Frank Baum’s original novel, The Wonderful Wizard of Oz, Dorothy wore Silver Shoes. The movie's creators changed them to ruby to take advantage of the new Technicolor film process.

The Wizard of Oz

Dorothy's house falls on the Wicked Witch of the East, killing her and freeing the Munchkins from her tyranny. Glinda the Good Witch of the North (Billie Burke) magically puts the dead woman's ruby slippers on Dorothy's feet to protect her from the Witch's vengeful sister, the Wicked Witch of the West (Margaret Hamilton). Dorothy (Judy Garland) knows the slippers are magical, but she is not told of their specific powers. At the end of the film, Glinda reveals one of the slippers' abilities: Dorothy can return home to Kansas by simply clicking her heels three times and repeating, "There's no place like home."



The slippers were designed by Gilbert Adrian, MGM's chief costume designer. Initially, two pairs were made in different styles. The so-called "Arabian test pair" was "a wildly jeweled, Arabian motif, with curling toes and heels." This pair was used in costume tests, but was rejected as unsuitable for Dorothy's Kansas farmgirl image. The second design was approved, with one modification. The red bugle beads used to simulate rubies proved too heavy, so they were mostly replaced with sequins, about 2300 for each shoe. According to Rhys Thomas in his Los Angeles Times article, "all the ruby slippers are between Size 5 and 6, varying between B and D widths."

It is speculated that at least six or seven pairs of the final design were made. The wardrobe woman who worked on the film claimed "six identical pairs" had been made. Four pairs used in the movie have been accounted for. Rhys Thomas speculates that they were likely made by Joe Napoli of the Western Costume Company, and not all at once, but as the need arose. Judy Garland requested one pair a half-size larger, so that she would be more comfortable in the afternoon when her feet were slightly swollen from the rigors of the morning rehearsals and filming.

These four surviving pairs were made from white silk pumps from the Innes Shoe Company in Los Angeles. There is an embossed gold or silver stamp or an embroidered cloth label bearing the name of the company inside each right shoe. At the time, many movie studios used plain white silk shoes because they were inexpensive and easily dyed. It is likely that most of the shoes worn by female characters in The Wizard of Oz were plain Innes shoes with varying heel heights, dyed to match each costume.

To create the ruby slippers, the shoes were dyed red, then burgundy sequined organza overlays were attached to each shoe's upper and heel. The film's early three-strip Technicolor process required the sequins to be darker than most red sequins found today; bright red sequins would have appeared orange on screen.
Two weeks before the start of shooting of the film, Adrian added butterfly-shaped red strap leather bows. Each of the Art Deco-inspired bows had three large, rectangular, red-glass jewels with dark red bugle beads, outlined in red glass rhinestones in silver settings. The stones and beads were sewn to the bows, then to the organza-covered shoe. Three pairs of the surviving slippers had orange felt glued to their soles to deaden the sound of Garland dancing on the Yellow Brick Road.

It is theorized that Garland wore one primary pair during shooting. This may be the pair known as "the People's Shoes" available for public viewing at the Smithsonian Institution. The "sister set" to this pair was owned by Michael Shaw. This pair can clearly be seen when Dorothy shows them to the Emerald City doorman.

Another pair, the close-up or insert shoes, is in best shape of all, appears to be better made, and has no orange felt on the soles, with "#7 Judy Garland" written in the lining. According to the Library of Congress, "it is widely believed that they were used primarily for close-ups and possibly the climactic scene where Dorothy taps her heels together." Circular scuff marks on the soles support the theory that they were the ones Garland had on when she clicked her heels together. The lack of felt indicates these were likely also the shoes taken from the feet of the dead Wicked Witch of the East (since the soles are visible in the film), hence their nickname: the "Witch's slippers".

The last known pair was, some believe, made for Bobbie Koshay, Garland's stunt double. This is most likely the size 6B pair (owned first by Roberta Bauman, then Anthony Landini, and currently by David Elkouby) whose lining says "Double" instead of "Judy Garland". However, some believe this pair may have been the second pair created, therefore explaining the "Double" in the lining, but still used by Garland and Koshay.

Several pairs of Garland's own shoes are size 61⁄2. Also, Garland may have worn this pair for photos and publicity appearances after the film's primary shooting was finished in 1939.

In one film sequence, Garland is not wearing the ruby slippers (an apparent blunder). As the trees pelt the Scarecrow with apples, Garland can be briefly glimpsed wearing a black shoe on her right foot.

Pop Culture
The progressive band Electric Light Orchestra used a frame from the 1939 film on the cover of their fourth studio album, released in 1974, Eldorado. This cover was laid out by Sharon Osbourne (then known as Sharon Arden).
 
 
http://en.wikipedia.org/wiki/Ruby_slippers

Friday, February 8, 2013

See Mercury at Sunset

By Dr. Tony Phillips, NASA

Feb. 8, 2013: NASA has recently discovered a very strange planet. Its days are twice as long as its years. It has a tail like a comet. It is hot enough to melt lead, yet capped by deposits of ice. And to top it all off ... it appears to be pink.

The planet is Mercury.

Of course, astronomers have known about Mercury for thousands of years, but since NASA's MESSENGER probe went into orbit around Mercury in 2011, researchers feel like they've been discovering the innermost planet all over again. One finding after another has confirmed the alien character of this speedy little world, which you can see this week with your own eyes.
 
Mercury is emerging from the glare of the sun for a beautiful two-week apparition during the month of February 2013. The show begins about a half hour after sunset. Scan the horizon where the sun's glow is strongest and, if the sky is clear, Mercury should pop out of the twilight, a bright pink pinprick of light. Mercury itself is not actually pink, but it is often colored so by the rosy hues of the setting sun.

If you're looking on the evenings of February 8th and 9th, scan the sky around Mercury with binoculars. A second planet is there, too. Glowing faintly red, Mars is barely a degree from Mercury. In binocular optics, Mercury and Mars form a charming little double-planet.

As February unfolds, Mercury will rise higher in the sunset sky, brightening as it ascends. From February 11th through 21st, the "pink planet" will be visible for as much as an hour after sunset. February 11th is a date of special interest: a slender crescent Moon will appear straight above Mercury, providing guidance for novice sky watchers.

Mercury circles the sun about three times closer than Earth does, rotating just three times on its axis every two Mercury-years. This slow-spin under the solar inferno bakes Mercury's surface bone-dry and raises its daytime temperature to 425 degrees Celsius, hot enough to melt lead. This would seem an unlikely place to find deposits of ice, yet that is what the MESSENGER probe recently confirmed: Mercury has enough ice at its poles to encase Washington DC with a layer of frozen water two miles thick.

Ice on Mercury is possible because the tilt of planet's spin axis is almost zero -- less than one degree -- so there are pockets at the planet's poles that never see sunlight. Shadowed areas at each end of the heavily-cratered planet turn out to be cold enough to freeze and hold water.

MESSENGER found something else: Much of Mercury's ice is coated with a mysterious dark substance. Researchers don't know exactly what it is, but they suspect it is a mix of complex organic compounds delivered to Mercury by the impacts of asteroids and comets.

In some ways, Mercury itself resembles a comet with a long tail. NASA's twin STEREO probes, on a mission to observe the sun, spotted Mercury's tail in 2008. The MESSENGER probe has since flown through it. The tail appears to be made of material blown off Mercury's surface by exposure to solar flares and the solar wind at point-blank range. The pressure of sunlight pushes the tail in the anti-sunward direction, just like the tail of a comet.

With the sun currently approaching the maximum of its 11-year activity cycle, Mercury is getting hit by the stormiest space weather in years. This is a great time for MESSENGER to study the processes that turn Mercury into a "comet-planet."

Mercury is a strange planet, indeed. When the sun goes down tonight, step outside and see for yourself.

http://science.nasa.gov/science-news/science-at-nasa/2013/08feb_pinkplanet/

Thursday, February 7, 2013

Obama Cripples Due Process

Glenn Greenwald at the UK Guardian has written a blistering piece about Eric Holder’s Justice Department and its recent legal memo announcing that the President can call for the assassination o US citizens before any trial.

There are six main points Greenwald makes about this power-grabbing finding:
  1. A government accusation is equated with guilt
  2. The legal opinion creates a ceiling but not a floor
  3. The finding relies on the Bush/Cheney theory of a global battlefield
  4. The concept of "imminent" attack is expanded beyond recognition
  5. Obama subordinates effectively become secret courts
  6. The legal opinion makes a mockery of due process
The entire article is online at:

http://www.guardian.co.uk/commentisfree/2013/feb/05/obama-kill-list-doj-memo

Wednesday, February 6, 2013

Artificial Tears

Artificial tears are lubricant eye drops used to treat the dryness and irritation associated with deficient tear production in keratoconjunctivigis sicca (dry eyes). They are also used to moisten contact lenses and in eye examinations
.
Artificial tears are available over-the-counter. Artificial tears are supplemented with other treatments in moderate to severe forms of dry eyes.

Chemistry
Preparations contain carboxymethyl cellulose, hydroxypropyl methylcellulose (a.k.a. HPMC or hypromellose), hydroxypropyl cellulose and hyaluronic acid (a.k.a. hyaluronan, HA). They contain water, salts and polymers but lack the proteins found in natural tears. Patients who use them more frequently than once every three hours should choose a brand without preservatives or one with special non-irritating preservatives.

Effects
Application of artificial tears every few hours can provide temporary relief from the symptoms of dry eyes. Hydroxypropyl cellulose stabilizes and thickens the precorneal tear film, and prolongs the tear film breakup time.

Usage

Artificial tears usually are the first line of treatment for dry eyes. While mild cases require application of lubricant drops four times a day, severe cases require more aggressive treatment, such as ten to twelve times a day. Thicker artificial tears can be used in severe cases, although these may temporarily blur vision.
Precautions
Drops for red eyes can make the eyes even drier. If wearing contact lenses, rewetting or lubricating drops specifically for contact lenses should be used. Other types of drops may contain ingredients that damage the lens.
 
Adverse Effects
Possible adverse effects of carboxymethyl cellulose and other similar lubricants include eye pain, irritation, continued redness, or vision changes. Use should be discontinued if any of them occur. Those of hydroxypropyl cellulose include hyperaemia, photophobia, stickiness of eyelashes, discomfort, and irritation. Long term use of preservatives present in some artificial tears may harm the eye.

Artificial tears have no reported interactions. A documented contraindication of artificial tears is hypersensitivity.

Veterinary Uses
Artificial tears are a part of the topical therapy for keratoconjunctivitis sicca for animals such as dogs, cats and horses.
 
http://en.wikipedia.org/wiki/Artificial_tears