Saturday, October 17, 2015

Record Haze in Southeast Asia

The 2015 Southeast Asian haze is an air pollution crisis affecting several countries in Southeast Asia, including Brunei, Indonesia (especially its islands of Sumatra and Kalimantan), Malaysia, Singapore, Southern Thailand, and Vietnam, and possibly Cambodia and Central Philippines.

The haze has affected Indonesia from at least late June, eventually turning into an international problem for other countries from September. It is the latest occurrence of the Southeast Asian haze, a long-term issue that occurs in varying intensity during every dry season in the region. It is caused by forest fires resulting from illegal slash-and-burn practices, principally on the Indonesian islands of Sumatra and Kalimantan, which can then spread quickly in the dry season.

On 4 September 2015, the Indonesian National Board for Disaster Management stated that six Indonesian provinces had declared a state of emergency due to the haze; they were Riau, Jambi, South Sumatra, West Kalimantan, Central Kalimantan and South Kalimantan. On 14 September, a state of emergency was again declared in Riau, this time by the Indonesian government.  Thousands of residents of Pekanbaru, Riau's capital, fled to the nearby cities of Medan and Padang.  In late September, the Pollutant Standards Index (PSI) of Indonesia hit a record high of 2,300, recorded in the province of Central Kalimantan.  More than 28 million people in Indonesia alone are affected by the crisis, and more than 140,000 reported respiratory illness.

The Indonesian government has estimated that the haze crisis will cost it between 300 to 475 trillion rupiah (up to S$47 billion) to mitigate.  School closures due to the haze have been implemented in Indonesia, Malaysia and Singapore; this affected nearly four million students in Malaysia alone  Among the events disrupted or even cancelled due to the haze were the 2015 FINA Swimming World Cup in Singapore and the Kuala Lumpur Marathon in Malaysia.

Friday, October 16, 2015

An Update on Pluto

Pictures and data are continuing to come back from the sensors on New Horizons that zoomed past Pluto in July of this year.  Here are some open questions that have been raised about the planet:

  • There’s a large area on the surface of Pluto that doesn’t have any craters.  Scientists don’t know why.  They think there is a lot of heat and volcanic activity, but this is uncertain. Pluto is getting heat from somewhere other than just from the sun, which is far away.

  • The surface of Pluto may contain hotspots that may be the cause of the patchiness of some of the Plutonian surface.

  • Water ice is as hard as a rock in the extreme cold of the surface of Pluto.  But what pushed that icy rock into mountains 11,000 feet high?

  • Pluto has a thin atmosphere and scientists are having a hard time explaining whether it gets thinner when Pluto’s elliptical orbit moves it farthest from the sun.

  • Pluto’s atmosphere has layers of haze that scientists aren’t able to explain.  The surfaceof the planet shows what look like wind streaks across dunes.
More (including a computerized video) from National Geographic at:

Thursday, October 15, 2015

Positive Quiddity: Improvisation

Improvisation is the process of devising a solution to a requirement by making-do, despite absence of resources that might be expected to produce a solution. In a technical context, this can mean adapting a device for some use other than that which it was designed for, or building a device from unusual components in an ad-hoc fashion. Improvisation in the context of performing arts is spontaneous performance without specific preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines.

Musical improvisation is usually defined as the composition of music while simultaneously singing or playing an instrument. Improvisational comedy is a theatre art performed throughout the world and has had on-again, off-again status throughout history. Dance improvisation as a choreographic tool. Improvisation was originally rarely used on dramatic television. A major exception was the situation comedy Mork & Mindy where star Robin Williams, famed for this kind of performing, was allotted specific sections in each episode where he was allowed to perform freely.

Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals.

Engineering

Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, or the use of a knife in place of a screwdriver to turn a screw.

Engineering improvisations may be needed because of emergencies, embargo, obsolescence of a product and the loss of manufacturer support, or just a lack of funding appropriate for a better solution. Users of motor vehicles in parts of Africa develop improvised solutions where it is not feasible to obtain manufacturer-approved spare parts.

The popular television program MacGyver used as its gimmick a hero who could solve almost any problem with jury rigged devices from everyday materials, a Swiss Army knife and some duct tape.

Performing Arts

Improvisation can be thought of as an "on the spot" or "off the cuff" spontaneous moment of sudden inventiveness that can just come to mind, body and spirit as an inspiration. No preparation or training is needed. However, improvisation in any life or art form, can occur more often if it is practiced as a way of encouraging creative behavior. That practice includes learning to use one's intuition, as well as learning a technical understanding of the necessary skills and concerns within the domain in which one is improvising. This can be when an individual or group is acting, dancing, singing, playing musical instruments, talking, creating artworks, problem solving, or reacting in the moment and in response to the stimulus of one's immediate environment and inner feelings. This can result in the invention of new thought patterns, new practices, new structures or symbols, and/or new ways to act.

Skills and Techniques

The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines. For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more.

Techniques of improvisation are widely used in training for performing arts or entertainment; for example, music, theatre and dance. To "extemporize" or "ad lib" is basically the same as improvising. Colloquial terms such as "let's play it by the ear", "take it as it comes", and "make it up as we go along" are all used to describe "improvisation".

The simple act of speaking requires a good deal of improvisation because the mind is addressing its own thought and creating its unrehearsed delivery in words, sounds and gestures, forming unpredictable statements that feed back into the thought process (the performer as listener), creating an enriched process that is not unlike instantaneous composition [with a given set or repertoire of elements].

Where the improvisation is intended to solve a problem on a temporary basis, the "proper" solution being unavailable at the time, it may be known as a "stop-gap". This applies to the field of engineering. Another improvisational, group problem-solving technique being used in organizations of all kinds is brainstorming, in which any and all ideas that a group member may have are permitted and encouraged to be expressed, regardless of actual practicality. As in all improvisation, the process of brainstorming opens up the minds of the people involved to new, unexpected and possibly useful ideas. The colloquial term for this is "thinking outside the box."

Music

Improvisation is usually defined as the composition of music while simultaneously singing or playing an instrument. In other words, the art of improvisation can be understood as composing music "on the fly". Improvisation can take place as a solo performance, or interdependently in ensemble with other players. When done well, it often elicits gratifying emotional responses from the audience. One notable improvisational pianist is Franz Liszt. The origins of Liszt's improvisation in an earlier tradition of playing variations on a theme were mastered and epitomized by Johann Sebastian Bach, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

Notable improvisational musicians from the modern era include: Keith Jarrett, an improvisational jazz pianist and multi-instrumentalist who has performed many completely improvised concerts all over the world; W. A. Mathieu aka William Allaudin Mathieu, was the musical director for the Second City in Chicago, the first on-going improvisational theatre troupe in the United States, and later was musical director for another improv theatre, the Committee (improv group), an offshoot of the Second City in San Francisco. Derek Bailey, an improvisational guitarist, Stephen Nachmanovitch, an improvisational violinist, and Eugene Friesen, an improvisational cellist.

Improvised freestyle rap is commonly practiced as a part of rappers' creative processes, as a "finished product" for release on recordings (when the improvisation is judged good enough), as a spiritual event, as a means of verbal combat in battle rap, and, simply, for fun. It often incorporates insults similar to those in the African-American game The Dozens, and complex rhythmic and sometimes melodic forms comparable to those heard in jazz improvisation.

In the realm of silent film music, there are also a small number of musicians whose work has been recognized as exceptional by critics, scholars and audiences alike; these include Neil Brand and John Sweeney, among others who are all performers at "Le Giornate del Cinema Muto", the annual conference on silent film in Pordenone, Italy. Their performances must match the style and pacing of those films which they accompany and the knowledge of a wide range of musical styles is required, as well as the stamina to play for films which occasionally run more than three hours in length, without a pause.

Comedy

Improvisational comedy is a theatre art performed throughout the world and has had on-again, off-again status throughout history.

Some of the more famous improv theatres and training centers in the world include: i.O. (formerly ImprovOlympic) in Chicago and Los Angeles, The Second City in Chicago and Toronto, The Players Workshop in Chicago, National Comedy Theatre in San Diego, New York and Phoenix, Upright Citizens Brigade, the Peoples Improv Theater, the Groundlings, BATS Improv (Bay Area Theatre Sports) in San Francisco, Wing-It Productions in Seattle, Philly Improv Theater in Philadelphia, Brave New Workshop in Minneapolis, ComedySportz in Milwaukee, and Theatresports in Calgary, Canada.

There are also many well known university improv teams, including Theatre Strike Force at the University of Florida, Gigglepants at the University of Texas at Austin, and Erasable Inc. at the University of Maryland. Improvisation found a home at universities. The origins of the Second City was the Compass Players, an offshoot of theatre programs at the University of Chicago in the 50's. Later, once improv had been established as an art form, improv groups sprung up on college campuses, starting in the 80's where crowds were easy to find and teams could perform frequently. Now an improv group is a common staple of college extra curricular activities.

Notable pioneers in the field of improvisation, comedic or otherwise, include Mike Myers, Neil Mullarkey, Paul Merton, Stephen Fry, John Sessions, Josie Lawrence, Viola Spolin, Paul Sills, David Shepherd, Del Close, Josephine Forsberg, Gary Austin, Martin de Maat, and Keith Johnstone. Notable performers include: Paul Merton, Stephen Colbert, Steve Carell, Bill Murray, Harold Ramis, Robert Townsend, Colin Mochrie, Ryan Stiles, Ross Noble, Eddie Izzard, Tony Slattery, Mike McShane, Sandi Toksvig, Wayne Brady, Jonathan Winters, T. J. Jagodowski, Robin Williams, and David Pasquesi.

Wednesday, October 14, 2015

DNA Coils Writhe (!)

Supercoiled DNA Is far more Dynamic
than the “Watson-Crick” Double Helix

Researchers have imaged in unprecedented detail the three-dimensional structure of supercoiled DNA, revealing that its shape is much more dynamic than the well-known double helix.

Various DNA shapes, including figure-8s, were imaged using a powerful microscopy technique by researchers at the Baylor College of Medicine in the US, and then examined using supercomputer simulations run at the University of Leeds.

As reported online today in the journal Nature Communications, the simulations also show the dynamic nature of DNA, which constantly wiggles and morphs into different shapes – a far cry from the commonly held idea of a rigid and static double helix structure.

Improving our understanding of what DNA looks like when it is in the cell will help us to design better medicines, such as new antibiotics or more effective cancer chemotherapies.

Dr Sarah Harris from the School of Physics and Astronomy at the University of Leeds, who led the computer simulation research side of the study, said: “This is because the action of drug molecules relies on them recognising a specific molecular shape – much like a key fits a particular lock.”

The double helix shape has a firm place in the public's collective consciousness. It is referenced in popular culture and often features in art and design. But the shape of DNA isn’t always that simple.

Dr Harris said: “When Watson and Crick described the DNA double helix, they were looking at a tiny part of a real genome, only about one turn of the double helix. This is about 12 DNA ‘base pairs’, which are the building blocks of DNA that form the rungs of the helical ladder.

“Our study looks at DNA on a somewhat grander scale – several hundreds of base pairs – and even this relatively modest increase in size reveals a whole new richness in the behavior of the DNA molecule.”

There are actually about 3 billion base pairs that make up the complete set of DNA instructions in humans. This is about a metre of DNA. This enormous string of molecular information has to be precisely organised by coiling it up tightly so that it can be squeezed into the nucleus of cells.

To study the structure of DNA when it is crammed into cells, the researchers needed to replicate this coiling of DNA.

Dr Lynn Zechiedrich, the corresponding author for the study from the Baylor College of Medicine, said: “You can't coil linear DNA and study it, so we had to make circles so the ends would trap the different degrees of winding.”

To investigate how the winding changed what the circles looked like, the researchers wound and then unwound the tiny DNA circles – 10 million times shorter in length than the DNA contained within our cells – a single turn at a time.

The researchers devised a test to make sure that the tiny twisted up DNA circles that they made in the laboratory acted in the same way as the full-length DNA strands within our cells, when it is referred to as ‘biologically active’.

They used an enzyme called ‘human topoisomerase II alpha’ that manipulates the twist of DNA. The test showed that the enzyme relieved the winding stress from all of the supercoiled circles, even the most coiled ones, which is its normal job in the human body. This result means that the DNA in the circles must look and act like the much longer DNA that the enzyme encounters in human cells.

Dr Rossitza Irobalieva, the co-lead author on the publication, who conducted the work while she was at Baylor, used ‘cryo-electron tomography’ – a powerful microscopy technique that involves freezing biologically active material – to provide the first three-dimensional images of individual circular DNA molecules. She saw that coiling the tiny DNA circles caused them to form a zoo of beautiful and unexpected shapes.

“Some of the circles had sharp bends, some were figure-8s, and others looked like handcuffs or racquets or even sewing needles. Some looked like rods because they were so coiled,” said Dr Irobalieva.

The static images produced by the cryo-electron tomography were then compared to and matched with shapes generated in supercomputer simulations that were run at the University of Leeds. These simulated images provided a higher-resolution view of the DNA and show how its dynamic motion makes its shape constantly change to form a myriad of structures.

The cryo-electron tomography of the tiny DNA circles also revealed another surprise finding.

Base pairs in DNA are like a genetic alphabet, in which the letters on one side of the DNA double helix only pair with a particular letter on the other side. While the researchers expected to see the opening of base pairs – that is, the separation of the paired letters in the genetic alphabet – when the DNA was under-wound, they were surprised to see this opening for the over-wound DNA. This is because over-winding is supposed to make the DNA double helix stronger.

The researchers hypothesise that this disruption of base pairs may cause flexible hinges, allowing the DNA to bend sharply, perhaps helping to explain how a meter of DNA can be jammed into a single human cell.

Dr Harris concludes: “We are sure that supercomputers will play an increasingly important role in drug design. We are trying to do a puzzle with millions of pieces, and they all keep changing shape.”

[Link (which itself has another link to a 13 second long video of moving, supercoiled DNA from computer simulation—this has to be seen to be properly understood):]

Tuesday, October 13, 2015

Positive Quiddity: The Tango

Tango is a partner dance that originated in the 1890s along the River Plate, the natural border between Argentina and Uruguay, and soon spread to the rest of the world.[2]

Early tango was known as tango criollo (Creole tango). Today, there are many forms of tango extant. Popularly and among tango dancing circles, the authentic tango is considered to be the one closest to the form originally danced in Argentina and Uruguay.

                                                                    Argentine Tango

On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists.

History

Tango is a dance that has influences from European and African culture  Dances from the candombe ceremonies of former slave peoples helped shape the modern day Tango. The dance originated in lower-class districts of Buenos Aires and Montevideo. The music derived from the fusion of various forms of music from Europe.  The word "tango" seems to have first been used in connection with the dance in the 1890s, possibly related to the Latin word "tangere" but more likely related to the African slave word "tango" (drum or dance place).

Initially it was just one of the many dances, but it soon became popular throughout society, as theatres and street barrel organs spread it from the suburbs to the working-class slums, which were packed with hundreds of thousands of European immigrants.

In the early years of the 20th century, dancers and orchestras from Buenos Aires travelled to Europe, and the first European tango craze took place in Paris, soon followed by London, Berlin, and other capitals. Towards the end of 1913 it hit New York in the US, and Finland. In the US around 1911 the word "tango" was often applied to dances in a 2/4 or 4/4 rhythm such as the one-step. The term was fashionable and did not indicate that tango steps would be used in the dance, although they might be. Tango music was sometimes played, but at a rather fast tempo. Instructors of the period would sometimes refer to this as a "North American tango", versus the so-called "Argentine Tango". By 1914 more authentic tango stylings were soon developed, along with some variations like Albert Newman’s "Minuet" tango.

In Argentina, the onset in 1929 of the Great Depression, and restrictions introduced after the overthrow of the Hipólito Yrigoyen government in 1930 caused tango to decline. Its fortunes were reversed as tango became widely fashionable and a matter of national pride under the government of Juan Perón. Tango declined again in the 1950s as a result of economic depression and the banning of public gatherings by the military dictatorships; male-only Tango practice—the custom at the time—was considered "public gathering". That, indirectly, boosted the popularity of rock and roll because, unlike Tango, it did not require such gatherings.

Monday, October 12, 2015

New RNA Sequencer

A Better Way to Read the Genome
By Kim Krieger, University of Connecticut, October 9, 2015

UConn researchers have sequenced the RNA of the most complicated gene known in nature, using a hand-held sequencer no bigger than a cell phone.

If DNA is the blueprint of life, RNA is the construction contractor who interprets it, so sequencing RNA tells you what’s really happening inside a cell.

Genomicists Brenton Graveley from the UConn Institute of Systems Genomics, postdoctoral fellow Mohan Bolisetty, and graduate student Gopinath Rajadinakaran teamed up with UK-based Oxford Nanopore Technologies to show that the company’s MinION nanopore sequencer can sequence genes faster, better, and at a much lower cost than the standard technology. They published their findings on Sept. 30 in Genome Biology.

If your genome was a library and each gene was a book, some genes would be straightforward reads – but some would be more like a “Choose Your Own Adventure” novel. Researchers often want to know which version of the gene is actually expressed in the body, but for complicated choose-your-own-adventure genes, that has been impossible.

Graveley, Bolisetty, and Rajadinakaran solved the puzzle in two parts. The first was to find a better gene-sequencing technology. In order to sequence a gene using the old, existing technology, researchers first make lots of copies of it, using the same chemistry our bodies use. They then chop up the gene copies into tiny pieces, read each tiny piece, and then, by comparing all the different pieces, try to figure out how they were originally put together. The technique hinges on the likelihood that not all the copies got chopped up into exactly the same pieces. Imagine watching different scenes from a movie, out of order. If you then watched the same movie, but cut into scenes at slightly different places, you could compare the two versions and start to figure out which scenes connect to which.

That technique won’t work for choose-your-own-adventure genes, because if you copy them the way the body does, using RNA, each copy can be slightly – or very – different from the next. Such different versions of the same gene are called isoforms. When the different isoforms get chopped up and sequenced, it becomes impossible to accurately compare the pieces and figure out which versions of the gene you started with.

If the gene were a movie, “you wouldn’t be able to tell that scenes 1 and 2 were present together,” Bolisetty says.

Then last year, the nearly impossible suddenly became possible. Oxford Nanopore, a company based in the UK, released its new nanopore sequencer, and offered one to Graveley’s lab. The nanopore sequencer, called a MinION, works by feeding a single strand of DNA through a tiny pore. The pore can only hold five DNA bases – the ‘letters’ that spell out our genes – at a time. There are four DNA bases, G, A, T, and C, and 1,024 possible five-base combinations. Each combination creates a different electrical current in the nanopore. GGGGA makes a different current than AGGGG, which is different again than CGGGG. By feeding the DNA through the pore and recording the resulting signal, researchers can read the sequence of the DNA (see graphic).

For the second part of the solution, Graveley, Bolisetty, and Rajadinakaran decided to go big. Instead of sequencing any old choose-your-own-adventure gene, they chose the most complex one known, Down Syndrome cell adhesion molecule 1 (Dscam1), which controls the wiring of the brain in fruit flies. Dscam1 has the potential of making 38,016 possible isoforms, and every fruit fly has the potential to make every one of them, yet how many of these versions are actually made remains unknown. Dscam1 looks like this: X-12-X-48-X-33-X-2-X, where X’s denote sections that are always the same, and the numbers indicate sections that can vary (the number itself shows how many different options there are for that section).

To study how many different isoforms of Dscam1 actually exist in a fly’s brain, the researchers first had to convert Dscam1 RNA into DNA. If DNA is the book or set of instructions, RNA is the transcriber that copies the book so that it can be translated into a protein. The DNA includes the instructions for all 38,016 isoforms of the Dscam1 gene, while each individual Dscam1 RNA contains the instructions for just one. No one had yet used a MinION to sequence copies of RNA, and though it was likely it could be done, demonstrating it and showing how well it worked would be a substantial advance in the field.

Rajadinakaran took a fruit fly brain, extracted the RNA, converted it into DNA, isolated the DNA copies of the Dscam1 RNAs, and then ran them through the MinION’s nanopores. In this one experiment, they not only found 7,899 of the 38,016 possible isoforms of Dscam1 were expressed but also that many more, if not all versions are likely to be expressed.

“A lot of people said ‘The MinION will never work,’” Graveley says, “but we showed it works using the most complicated gene known.”

The study demonstrates that gene sequencing technology can now be accessed by a much broader range of researchers than was previously possible, since the MinION is both relatively inexpensive and highly portable so that it requires almost no lab space.

“This type of cutting-edge work puts UConn at the forefront of technology development and strengthens our portfolio of genomics research,” says Marc Lalande, director of UConn’s Institute for Systems Genomics. “Also, thanks to the investments in genomics through the University’s Academic Plan, Brent Graveley can leverage his expertise so that faculty and students across our campuses will successfully compete for grant dollars and launch bioscience ventures.”

Graveley will speak about the research at the Oxford Nanopore MinION Community Meeting at the New York Genome Center on Dec. 3.

As for next steps, the researchers plan on going even bigger: sequencing every bit of RNA from beginning to end inside a single cell, something that cannot be done with traditional gene sequencers.

“This technology has amazing potential to transform how we study RNA biology and the type of information we can obtain,” says Graveley. “Plus the fact that the MinION is a hand-held sequencer that you plug into a laptop is simply unbelievably cool!”

Sunday, October 11, 2015

The Fourth Political Theory


By Alexander Dugin (advisor to Vladamir Putin)
[Dugin has also written a book about Heidegger’s philosophy]

From Amazon.com:

All the political systems of the modern age have been the products of three distinct ideologies: the first, and oldest, is liberal democracy; the second is Marxism; and the third is fascism. The latter two have long since failed and passed out of the pages of history, and the first no longer operates as an ideology, but rather as something taken for granted. The world today finds itself on the brink of a post-political reality - one in which the values of liberalism are so deeply embedded that the average person is not aware that there is an ideology at work around him. As a result, liberalism is threatening to monopolise political discourse and drown the world in a universal sameness, destroying everything that makes the various cultures and peoples unique. According to Alexander Dugin, what is needed to break through this morass is a fourth ideology - one that will sift through the debris of the first three to look for elements that might be useful, but that remains innovative and unique in itself. Dugin does not offer a point-by-point program for this new theory, but rather outlines the parameters within which it might develop and the issues which it must address. Dugin foresees that the Fourth Political Theory will use the tools and concepts of modernity against itself, to bring about a return of cultural diversity against commercialisation, as well as the traditional worldview of all the peoples of the world - albeit within an entirely new context. Written by a scholar who is actively influencing the direction of Russian geopolitical strategy today, The Fourth Political Theory is an introduction to an idea that may well shape the course of the world's political future. Alexander Dugin (b. 1962) is one of the best-known writers and political commentators in post-Soviet Russia. In addition to the many books he has authored on political, philosophical and spiritual topics, he currently serves on the staff of Moscow State University, and is the intellectual leader of the Eurasia Movement. For more than a decade, he has also been an advisor to Vladimir Putin and others in the Kremlin on geopolitical matters, being a vocal advocate of a return of Russian power to the global stage, to act as a counterweight to American domination.
 
Reader reviews from Amazon.com

5 Stars
Saying as Showing
By scrivener on January 3, 2014

Dugin invites the reader to his project of forming the "Fourth Political Theory," a new rival and successor to the preceeding three ideologies of the twentieth century- liberalism, communism, and fascism/ns; of which the second and third were defeated by the first, liberalism, which now is unopposed a la Fukuyama's "end of history."

He calls for the imagining of future values drawn with inspiration from the Eternal; and from Tradition, the source of timeless pre-modern values as antidote to the soul crushing, identity destroying consumerism and individualism of liberalism. So this book is not a construction of a dogmatic theory; but rather an invitation to a conversation about what will the next anti-liberal theory of history will consist.

While his work principally concerns certain geopolitical considerations most important to Russia, it may also have relevance alike to the Far East, which still finds itself torn between modernity and tradition (as in Soseki's Kokoro) and to the EU and even America, which although the standard bearers of liberalism, remain increasingly atomized and torn between the increasing social divisions arising both in spite of and also out of the very individualism that has located them at a foremost position for the time being.

And while his geopolitical Eurasianism is taken as a counterpoint to American global hegemony, there may be much that is said here showing what may be alternatives to the triumphal reign of individualism.

If nothing else it is an interesting expression of contemporary syncretic anti-liberalism. Whether or not the evident call to reconstruct a Golden age from this kali yuga is anything more than another howl from a man among the ruins remains to be seen.

5 Stars
One of the Truly Essential Books of our young Century
By Shelia B. Cassidy on November 8, 2013

Most of the political theories that we now embrace are failing us. And even though this book was primarily directed at the Russian polity, it is significant for the rest of the world for many reasons.
First of all, this author is Putin's adviser, so we need to know where the thinking is coming from in the rest of the world.
Second, Dugin's political analysis applies just as well to the rest of the world.
Dugin says that we need a new political theory, that the 18th century liberalism that we have been operating from is no longer valid. He says that we should borrow from the past - religion and real values - and construct a new political theory that will engage these values and also update our societies to cope with the processes we now face. I agree with him. Liberalism grew out of the typographical era, when reading the printed word was king. We have long sense moved into the modern era of social media and computers and the Internet. We need to get to know one another better and quit regarding everyone as "the enemy of the month." This will entail electing political leaders that are more conscious of the global village and also the need for national