Sunday, April 3, 2011

Positive Quiddiy: Will Rogers

William Penn Adair Rogers (better known as "Will" Rogers) (November 4, 1879 – August 15, 1935) was an American cowboy, comedian, humorist, social commentator, vaudeville performer and actor and one of the best-known celebrities in the 1920s and 1930s.

Known as Oklahoma's favorite son, Rogers was born to a prominent Cherokee Nation family in Indian Territory (now part of Oklahoma). He traveled around the world three times, made 71 movies (50 silent films and 1 “talkies”), wrote more than 4,000 nationally-syndicated newspaper columns, and became a world-famous figure. By the mid-1930s, Rogers was adored by the American people. He was the leading political wit of the Progressive Era, and was the top-paid Hollywood movie star at the time. Rogers died in 1935 with aviator Wiley Post, when their small airplane crashed near Barrow, Alaska.

His vaudeville rope act led to success in the Ziegfeld Follies, which in turn led to the first of his many movie contracts. His 1920s syndicated newspaper column and his radio appearances increased his visibility and popularity. Rogers crusaded for aviation expansion, and provided Americans with first-hand accounts of his world travels. His earthy anecdotes and folksy style allowed him to poke fun at gangsters, prohibition, politicians, government programs, and a host of other controversial topics in a way that was readily appreciated by a national audience, with no one offended. His short aphorisms, couched in humorous terms, were widely quoted: "I am not a member of an organized political party. I am a Democrat."
Rogers even provided an epigram on his most famous epigram:
When I die, my epitaph, or whatever you call those signs on gravestones, is going to read: "I joked about every prominent man of my time, but I never met a man I didn't like." I am so proud of that, I can hardly wait to die so it can be carved.
Early Years
Will Rogers was born on the Dog Iron Ranch in Indian Territory, near present-day Oologah, Oklahoma. The house he was born in had been built in 1875 and was known as the "White House on the Verdigris River.” His parents, Clement Vann Rogers (1839–1911) and Mary America Schrimsher (1838–1890), were both Cherokee, and Rogers himself was 9/32 (just over 1/4) Cherokee. Rogers quipped that his ancestors didn't come over on the Mayflower but they "met the boat." Mary Rogers was quarter-Cherokee and a hereditary member of the Paint Clan. She died when Will was 11, and his father remarried less than two years after her death.

Rogers was the youngest of eight children. He was named for the Cherokee leader Col. William Penn Adair. Only three of his siblings, sisters Sallie Clementine, Maude Ethel, and May (Mary), survived into adulthood.
The father, Clement, was a leader within Cherokee society. A Cherokee judge, he was a Confederate veteran and served as a delegate to the Oklahoma Constitutional Convention. Rogers County, Oklahoma, is named in honor of Clement Rogers. He served several terms on the Cherokee Senate. Clement Rogers achieved financial success as a rancher and used his influence to help soften the negative affects of white acculturation on the tribe. Roach (1980) presents a sociological-psychological assessment of the relationship between Will and his father during the formative boyhood and teenage years. The father had high expectations for his son and desired him to be more responsible and business-minded. Will was more easygoing and oriented toward the loving affection offered by his mother, Mary, rather than the harshness of his father. The personality clash increased after the mother's death, and young Will went from one venture to another with little success. Only after Will won acclaim in vaudeville did the rift begin to heal, but Clem's untimely death in 1911 precluded a full reconciliation.

Rogers was a good student and an avid reader of The New York Times, but he dropped out after the 10th grade. He later claimed he was a poor student, saying that he "studied the Fourth Reader for ten years." He was much more interested in cowboys and horses, and learned to rope and use a lariat.

First jobs

Rogers worked the Dog Iron Ranch for a few years. Near the end of 1901, he and a friend left home with aspirations to work as gauchos in Argentina. They arrived in Argentina in May 1902, and spent five months trying to make it as ranch owners in the pampas. Rogers and his partner lost all their money, and in his words, "I was ashamed to send home for more," so the two friends separated and Rogers sailed for South Africa. It is often claimed he took a job breaking in horses for the British Army, but the Boer War had ended three months earlier. Rogers actually got work at Piccione's ranch in Mooi River Station.

He began his show business career as a trick roper in "Texas Jack's Wild West Circus":
He (Texas Jack) had a little Wild West aggregation that visited the camps and did a tremendous business. I did some roping and riding, and Jack, who was one of the smartest showmen I ever knew, took a great interest in me. It was he who gave me the idea for my original stage act with my pony. I learned a lot about the show business from him. He could do a bum act with a rope that an ordinary man couldn't get away with, and make the audience think it was great, so I used to study him by the hour, and from him I learned the great secret of the show business—knowing when to get off. It's the fellow who knows when to quit that the audience wants more of.
Grateful for the guidance but anxious to move on, Rogers quit the circus and went to Australia. Texas Jack gave him a reference letter for the Wirth Brothers Circus there, and Rogers continued to perform as a rider and trick roper, and worked on his pony act. He returned to the United States in 1904, and began to try his roping skills on the American vaudeville circuits.
                                                    Will Rogers

Vaudeville

On a trip to New York City, Rogers was at Madison Square Garden when a wild steer broke out of the arena and began to climb into the viewing stands. Rogers quickly roped the steer to the delight of the crowd. The feat got front page attention from the newspapers, giving him valuable publicity and an audience eager to see more. William Hammerstein came to see his vaudeville act, and quickly signed Rogers to appear on the Victoria Roof—which was literally on a rooftop—with his pony. For the next decade, Rogers estimated he worked for fifty weeks a year at the Roof and at the city's myriad vaudeville theaters.
By 1916, a featured star in Ziegfeld's Follies on Broadway, he moved into satire by transforming the "Ropin' Fool" to the "Talkin' Fool". At one performance, with President Woodrow Wilson in the audience, he improvised a "roast" of presidential policies that had Wilson, and the entire audience, in stitches and proved his remarkable skill at off-the-cuff, witty commentary on current events. The rest of his career he built around that skill.

An editorial in The New York Times said that "Will Rogers in the Follies is carrying on the tradition of Aristophanes, and not unworthily. Rogers branched into silent films too, for Samuel Goldwyn's company Goldwyn Pictures. He made his first silent movie, Laughing Bill Hyde, filmed in Fort Lee, New Jersey, in 1918. Many early films were made near the major New York performing market, so Rogers could make the film, yet still rehearse and perform in the Follies. He eventually appeared in most of the Follies, from 1916 to 1925.
Motion Pictures

He made 48 silent movies, but with the arrival of sound in 1929 he became a top star in that medium. His first sound film, They Had to See Paris (1929), finally gave him the chance to exercise his verbal magic. He played a homespun farmer (State Fair) 1933, an old-fashioned doctor (Dr. Bull) 1933, a small town banker (David Harum ) 1934, and a rustic politician (Judge Priest) 1934. He was also in County Chairman (1935), Steamboat 'Round the Bend (1935), and In Old Kentucky (1935). His favorite director was John Ford.

Rogers appeared in 21 feature films alongside such noted performers as Lew Ayres, Billie Burke, Richard Cromwell, Jane Darwell, Andy Devine, Janet Gaynor, Rochelle Hudson, Boris Karloff, Myrna Loy, Joel McCrea, Hattie McDaniel, Ray Milland, Maureen O'Sullivan, ZaSu Pitts, Dick Powell, Bill “Bojangles” Robinson, Mickey Rooney, and Peggy Wood. He was directed three times by John Ford. He appeared in three films with his friend Stepin Fetchit (aka Lincoln T. Perry): David Harum (1934), Judge Priest (1934) and The County Chairman (1935).

With his voice becoming increasingly familiar to audiences, he was able to basically play himself, without normal makeup, in each film, managing to ad-lib and even work in his familiar commentaries on politics at times. The clean moral tone of his films led to various public schools taking their classes, during the school day, to attend special showings of some of them. His most unusual role may have been in the first talking version of Mark Twain's novel A Connecticut Yankee in King Arthur's Court. His popularity soared to new heights with films including Young As You Feel, Judge Priest, and Life Begins at 40 with Richard Cromwell and Rochelle Hudson.
Rogers demonstrated multiple skills, and was an indefatigable worker. He toured the lecture circuit. The New York Times syndicated his weekly newspaper column, 1922-35. Going daily in 1926 his short "Will Rogers Says" reached forty million newspaper readers. He wrote frequently for the mass-circulation upscale magazine, The Saturday Evening Post, where Rogers advised Americans to embrace the frontier values of neighborliness and democracy on the domestic front while remaining clear of foreign entanglements. He took a strong, highly popular stand in favor of aviation, including a military air force of the sort his flying buddy, General Billy Mitchell, advocated.

Rogers began a weekly column, titled "Slipping the Lariat Over," at the end of 1922. He had already published a book of wisecracks and had begun a steady stream of humor books. Through the continuing series of columns for the McNaught Syndicate between 1922 and 1935, as well as in his personal appearances and radio broadcasts, he won the loving admiration of the American people, poking jibes in witty ways at the issues of the day and prominent people—often politicians. He wrote from a non-partisan point of view and became a friend of presidents and a confidant of the great. Loved for his cool mind and warm heart, he was often considered the successor to such greats as Artemus Ward and Mark Twain. Rogers was not the first entertainer to use political humor before his audience. Others, such as Broadway comedian Raymond Hitchcock and Britain's Sir Harry Lauder, preceded him by several years. The legendary Bob Hope is the best known political humorist to follow Rogers's example.

Radio

Radio was the exciting new medium, and Rogers became a star there as well, recycling his newspaper pieces. From 1930 to 1935, he made radio broadcasts for the Gulf Oil Company. This weekly Sunday evening show, The Gulf Headliners, ranked among the top radio programs in the country. Since he easily rambled from one subject to another, reacting to his studio audience, he often lost track of the half-hour time limit in his earliest broadcasts, and was cut off in mid-sentence. To correct this, he brought in a wind-up alarm clock, and its on-air buzzing alerted him to begin wrapping up his comments. By 1935, his show was being announced as "Will Rogers and his famous Alarm Clock."

Politics

Seattle Mayor Charles L. Smith (left) with Will Rogers, circa 1935.
Rogers was a staunch Democrat, but he also supported Republican Calvin Coolidge. Democrat Franklin D. Roosevelt was his favorite. Although he supported Roosevelt's New Deal, he could just as easily joke about it:
Lord, the money we do spend on Government and it’s not one bit better than the government we got for one-third the money twenty years ago.
Rogers served as a goodwill ambassador to Mexico, and a brief stint as mayor of Beverly Hills. During the depths of the Great Depression, angered by Washington's inability to feed the people, he embarked on a cross country fund raising tour for the Red Cross.

Quotes and one-liners

One of Will Rogers' most famous lines, "I have never yet met a man that I didn't like," was part of a longer quotation and in its original form was in reference to Leon Trotsky:
"I bet you if I had met him and had a chat with him, I would have found him a very interesting and human fellow, for I never yet met a man that I didn't like. When you meet people, no matter what opinion you might have formed about them beforehand, why, after you meet them and see their angle and their personality, why, you can see a lot of good in all of them.
"The average citizen knows only too well that it makes no difference to him which side wins. He realizes that the Republican elephant and the Democratic donkey have come to resemble each other so closely that it is practically impossible to tell them apart; both of them make the same braying noise, and neither of them ever says anything. The only perceptible difference is that the elephant is somewhat the larger of the two.
"Every guy just looks in his own pocket and then votes. And the funny part of it is that it's the last year of an administration that counts. [A president] can have three bad ones and then wind up with everybody having money in the fourth, and the incumbent will win so far he needn't even stay up to hear the returns. Conditions win elections, not speeches.
"I bet any Sunday could be made as popular at church as Easter is, if you made 'em fashion shows too. The audience is so busy looking at each other that the preacher might as well recite "Gunga Din".
"Be thankful we're not getting all the government we're paying for.”
"Mother's Day, it's beautiful thought, but it's somebody's hurtin' conscience that thought of the idea. It was someone who had neglected their mother for years, and then they figured out: I got to do something about Momma. And knowing Momma was that easy, they figured, “we'll give her a day, and it will be all right with Momma.” Give her a day, and then in return Momma gives you the other 364. See?”
"One sure certainty about our Memorial Days is that as fast as the ranks from one war thin out, the ranks from another take their place. Prominent men may run out of Decoration Day speeches, but the world never runs out of wars. People talk peace, but men give up their life's work to war.”
"Thanksgiving Day! In the days of our founders, they were willing to give thanks for mighty little, for mighty little was all they expected. … Those old boys in the Fall of the year, if they could gather a few pumpkins, potatoes and some corn for the Winter, they was in a thanking mood. But if we can't gather in a new car, a new radio, a new tuxedo and some Government relief, we feel like the world is agin' us.”
"Everything is changing. People are taking the comedians seriously and the politicians as a joke."
"Americans will feed anyone that's not close to them."
"Our foreign policy is an open book - a checkbook."
"I belong to no organized party, I'm a Democrat."
"Lettin' the cat out of the bag is a lot easier than puttin' it back in."
"People who fly into a rage always make a bad landing."
"The income tax has made more liars out of Americans than golf."
"If stupidity got us in this mess, why can't it get us out?"
"Everybody says this here thing we're involved in ain't a real war. Congress says it ain't a war. The President says it ain't a war. 'Course the guys over here getting shot at say it's the best damned imitation they ever saw."
"A senator got up today in Congress and called his fellow senators sons of wild jackasses. Now, if you think the senators were hot, imagine how the jackasses must feel."
"Even if you are on the right track, you'll get run over if you just sit there."

[Will Rogers died in an airplane crash on August 15, 1935, near Point Barrow, Alaska. Wiley Post was piloting the aircraft].

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