Sleight of hand (also known as prestidigitation
or legerdemain) refers to fine motor skills when used by
performing artists in different art forms to entertain or manipulate. It is
closely associated with close-up magic, card magic, card flourishing and stealing.
Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic, but is in reality a separate genre of entertainment, as many artists practice sleight of hand without the slightest interest in magic.
Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Cardini and Tony Slydini.
Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic, but is in reality a separate genre of entertainment, as many artists practice sleight of hand without the slightest interest in magic.
Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Cardini and Tony Slydini.
Association with close-up
magic
Sleight of hand
is often used in close-up magic, where the sleights are performed with the
audience close to the magician, usually in physical contact or within 3 to
4 m (9.8 to 13.1 ft). This close contact eliminate theories of fake
audience members and the use of gimmicks. It makes use of everyday items as
props, such as cards, coins, rubber bands, paper, phones and even saltshakers.
A well-performed sleight looks like an ordinary, natural and completely
innocent gesture, change in hand-position or body posture. In addition to
manual dexterity, sleight of hand in close-up magic depends on the use of psychology,
timing, misdirection, and natural choreography in accomplishing a magical
effect.
Association with stage magic
Sleight of hand
during stage magic performances is not common, as most magic events and stunts
are performed with objects visible to a much larger audience, but is
nevertheless done occasionally by many stage performers. The most common magic
tricks performed with sleight of hand on stage are rope manipulations and card
tricks, with the first typically being done with a member of the audience to
rule out the possibility of stooges and the latter primarily being done on a
table while a camera is live-recording, allowing the rest of audience to see
the performance on a big screen. Worldwide acclaimed stage magician David
Copperfield often includes illusions featuring sleight of hand in his stage
shows.
Association with card cheating
Although being
mostly used for entertainment and comedy purposes, sleight of hand is also
notoriously used to cheat at casinos and gambling facilities throughout the
world. Common ways to professionally cheat at card games using sleight of hand
include palming, switching, ditching, and stealing cards from the table. Such
techniques involve extreme misdirection and years of practice. For these
reasons, the term sleight of hand frequently carries negative
associations of dishonesty and deceit at many gambling halls, and many
magicians known around the world are publicly banned from casinos, such as
British mentalist and close-up magician Derren Brown, who is banned from every
casino in Britain .
Association with cardistry
Unlike card
tricks done on the streets or on stage and card cheating, cardistry is solely
about impressing without illusions, deceit, misdirection and other elements
commonly used in card tricks and card cheating. Cardistry, or card flourishes,
are always intended to be visually impressive and appear extremely difficult to
perform. Card flourishing is often associated with card tricks, but many
sleight of hand artists perform flourishing without considering themselves
magicians or having any real interest in card tricks.
Association with card throwing
The art of card
throwing generally consist of throwing standard playing cards with excessively
high speed and accuracy, powerful enough to slice fruits like carrots and even
melons. Like flourishing, throwing cards are meant to be visibly impressive and
does not include magic elements. Magician Ricky Jay popularized throwing cards
within the sleight of hand industry with the release of his 1977 book entitled Cards
as Weapons, which was met with large sales and critical acclaim. Some magic
tricks, both close-up and on stage, are heavily connected to throwing cards.
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