Tuesday, November 27, 2012

The Science of Wood Fires

Flames To Ashes: Campfire Science
By Enrico Uva, Science 2.0, November 26th 2012

Birch bark, which is found in many parts of the U.S., Canada, Europe and China, is a great way to start a campfire. Rich in terpenoids, the paper-thin material ignites easily. The heat it releases provides enough activation energy to set small twigs ablaze, which of course should be placed in a tee-pee arrangement, so as to let in more oxygen. All of this should take place in a pit surrounded by stones, not to let wind take heat away from the young fire and not to burn the forest down.

The hues of a flame are rarely constant for a second, a hint that something complex is occurring within them. There is a set of chain mechanisms involving intermediate molecules that are needed for subsequent steps. Many of the in-between products are radicals, reactive molecules with unpaired electrons. Radicals are often created in the high temperature regions of the flame, but they diffuse back into the colder regions where they are needed to generate the final products. To reveal more details, laser-based investigative techniques have been used so as not to disturb the flame. Even when burning as simple a molecule as diatomic hydrogen, radicals like O, H, OH and HO2 form. When the combustion of hydrocarbons like cellulose and lignin in wood takes place, we get a greater variety of radicals, some of them carbon-centered. C2 and the radical CH arise in excited form and release blue and green light. Lignin-derived radicals involving benzene structures are not the healthiest things to inhale, but mere occasional exposure is probably nothing to worry about, unless there's a concentration of wood-burning stoves in a particular area. All of this underlines the fact that whenever we write an overall equation for a fuel consumed in a fire, it's like we are seeing only the ingredients of a recipe and the final product without witnessing the cooking.

Hot, gaseous products of combustion expand and rise, stretching flames vertically. The ascension leads to pressure gradients, and fresh air is pushed into the fire. The circulation supplies it with more oxygen, the electron-thief that campfires depend on to release heat as more tightly bonded products like water and carbon dioxide are created. There's energy needed to drive molecular fragments of cellulose apart, in the same way that you need to exert force against gravity if you want to push a ball up a hill. But once at the top, the ball can roll further down on the other side. With chemicals, it's not the combination of mass, gravity and varying heights that accounts for differences in potential energy but Coulombic forces acting over a variety of distances between positive atomic nuclei and valence electrons.

Why is a wood flame predominantly yellow-orange? It has been proposed that it's not the result of electron transitions; what's supposedly responsible is incandescence of particles at about 1100 to 1200 oC . Since the combustion of wood is incomplete, the flame's soot particles, some of which are elemental carbon, emit part of their vibrational energy as photons. How fast the molecules vibrate depends on their temperature, and the hotter the surface, the higher the frequency of the photons emitted. The same mechanism would account for the red glow of logs at the base of a fire. But the temperature is lower, in the neighborhood of 700 to 1000oC, hence a color of a longer wavelength and a lower frequency.

Different parts of the charcoal emit light of slightly different frequencies, intermittently and in different directions. A point on the surface of the charcoal particle that has just emitted photons will have lost energy and cooled slightly. Although exothermic reactions quickly compensate, from that same spot, the temperature will not necessarily be identical, especially in light of air movement and the exact frequency of photons is not necessarily replicated.

It's well known that the ease of ignition and burning rate of wood vary greatly with moisture content. Specifically, a drop in moisture content of 10% results in an increase of 20–30% in burning rate. When wood is too dry the combustion rate increases, but an inadequate oxygen supply leads to more undesirable emissions. The combustion rate also depends on boundary conditions and the species being burnt. Why does it vary with tree type? Wood composition is not constant. Wood is essentially a matrix of cellulose and other carbohydrate fibers (hemi cellulose) reinforced by the adhesive binding action of lignin. But hardwoods can have anywhere from 18 to 25% lignin along with varying amounts of hemicellulose, usually a partly acetylated, acidic xylan. Softer woods have other hemicellulose fibers and more "binder", 25 to 35% lignin. There is also an assortment of oils and other secondary products present.

The different wood recipes not only affect kinetics but thermochemistry. Softwoods, compared to hardwoods, release on average an extra 5% of heat, a maximum of 21 instead of 20 MJ/kg, to be precise. From the point of view of carbon dioxide emissions, it's not a good idea to rely on wood as a primary fuel. For every MJ of heat obtained from wood, on average, 80 g of CO2 are emitted. In contrast, natural gas combustion only puts out 50 g per MJ.
 
Finally, when the fire dies and we're left with ashes, what exactly are we staring at?
In general the ash is of an alkaline nature, with a pH of about 12, mostly due to the presence of carbonates of calcium and potassium, specifically CaCO3 and K2Ca(CO3)2. At higher temperatures, about 1300 oC, calcium and magnesium oxides are ashes' main compounds. Those alkaline compounds were not originally present in plant tissue. Neutral metals weren't either, so the carbonates must have formed indirectly, perhaps ions precipitating with carbonic acid, derived from water and carbon dioxide.

In the same way that the nature of flames and soot depends on the type of wood, the more detailed composition of ash also varies. According to a fairly recent study, it matches the needs of trees growing in a particular area. Among ashes of all conifers and broadleaves tested, that of birch trees, whose bark started this discussion, has the most calcium, the 2nd most phosphorus and is the only one without aluminum. But birch ash only has a fraction of the potassium and magnesium ions found within that of poplars and maples, respectively. Like cremated people and exploding suns, trees leave a signature in their ashes.

http://www.science20.com/chemical_education/flames_ashes_campfire_science-96974

Saturday, November 24, 2012

Why American debt matters

"The debt we create is basically money we owe to ourselves, and the burden it imposes does not involve a real transfer of resources."

              -- Economist Paul Krugman in a recent article

The problem with this reasoning is that Klugman is a quack. He doesn’t understand money and debt as well as, say, a certified public accountant. "Money we owe to ourselves" can grow so big and so fractious that it ruins nations.

Here’s a link that shows, in plain language, the havoc created by too much borrowing:

http://www.american.com/archive/2012/november/lenders-and-spenders-confronting-the-political-reality-of-debt

Friday, November 23, 2012

Memory and Electrical Frequencies

Brain waves encode rules for behavior
Fluctuations in electrical activity may also allow the brain to form thoughts and memories.
By Anne Trafton, MIT News Office, November 21, 2012

"One of the biggest puzzles in neuroscience is how our brains encode thoughts, such as perceptions and memories, at the cellular level. Some evidence suggests that ensembles of neurons represent each unique piece of information, but no one knows just what these ensembles look like, or how they form.

A new study from researchers at MIT and Boston University (BU) sheds light on how neural ensembles form thoughts and support the flexibility to change one’s mind. The research team, led by Earl Miller, the Picower Professor of Neuroscience at MIT, identified groups of neurons that encode specific behavioral rules by oscillating in synchrony with each other.

The results suggest that the nature of conscious thought may be rhythmic, according to the researchers, who published their findings in the Nov. 21 issue of Neuron.
"As we talk, thoughts float in and out of our heads. Those are all ensembles forming and then reconfiguring to something else. It’s been a mystery how the brain does this," says Miller, who is also a member of MIT’s Picower Institute for Learning and Memory. "That’s the fundamental problem that we’re talking about — the very nature of thought itself."

Rules for behavior

The researchers identified two neural ensembles in the brains of monkeys trained to respond to objects based on either their color or orientation. This task requires cognitive flexibility — the ability to switch between two distinct sets of rules for behavior.

"Effectively what they’re doing is focusing on some parts of information in the world and ignoring others. Which behavior they’re doing depends on the context," says Tim Buschman, an MIT postdoc and one of the lead authors of the paper.

As the animals switched between tasks, the researchers measured the brain waves produced in different locations throughout the prefrontal cortex, where most planning and thought takes place. Those waves are generated by rhythmic fluctuations of neurons’ electrical activity.
When the animals responded to objects based on orientation, the researchers found that certain neurons oscillated at high frequencies that produce so-called beta waves. When color was the required rule, a different ensemble of neurons oscillated in the beta frequency. Some neurons overlapped, belonging to more than one group, but each ensemble had its own distinctive pattern.

Interestingly, the researchers also saw oscillations in the low-frequency alpha range among neurons that make up the orientation rule ensemble, but only when the color rule was being applied. The researchers believe that the alpha waves, which have been associated with suppression of brain activity, help to quiet the neurons that trigger the orientation rule.

"What this suggests is that orientation was dominant, and color was weaker. The brain was throwing this blast of alpha at the orientation ensemble to shut it up, so the animal could use the weaker ensemble," Miller says.

The findings could explain how the brain can create any appropriate behavioral response to the countless possible combinations of stimuli, rules and required actions, says Pascal Fries, director of the Ernst Strungmann Institute for Neuroscience in Frankfurt, Germany.

"We likely compose the appropriate neuronal assembly on the fly through synchronization," says Fries, who was not part of the research team. "The number of combinatorial possibilities is enormous, just like the number of possible 10-digit telephone numbers is."

Eric Denovellis, a graduate student at Boston University, is also a lead author of the paper. Other authors are Cinira Diogo, a former Picower Institute postdoc, and Daniel Bullock, a professor of cognitive and neural systems at BU.

Oscillation as consciousness

The researchers are now trying to figure out how these neural ensembles coordinate their activity as the brain switches back and forth between different rules, or thoughts. Some neuroscientists have theorized that deeper brain structures, such as the thalamus, handle this coordination, but no one knows for sure, Miller says. "It’s one of the biggest mysteries of cognition, what controls your thoughts," he says.

This work could also help unravel the neural basis of consciousness.

"The most fundamental characteristic of consciousness is its limited capacity. You only can hold a very few thoughts in mind simultaneously," Miller says. These oscillations may explain why that is: Previous studies have shown that when an animal is holding two thoughts in mind, two different ensembles oscillate in beta frequencies, out of phase with one another.

"That immediately suggests why there’s a limited capacity to consciousness: Only so many balls can be kept in the air at the same time, only a limited amount of information can fit into one oscillatory cycle," Miller says. Disruptions of these oscillations may be involved in neurological disorders such as schizophrenia; studies have shown that patients with schizophrenia have reduced beta oscillations.

The research was funded by the National Science Foundation and the National Institute of Mental Health.

http://web.mit.edu/newsoffice/2012/brain-waves-encode-rules-for-behavior-1121.html

Thursday, November 22, 2012

Honi Soit Qui Mal Y Pense

''Honi soit qui mal y pense" is a French phrase meaning: "Shamed be he who thinks evil of it". The phrase is sometimes archaically rendered as "Honi soit quy mal y pense", "Hony soyt qe mal y pense", "Hony soyt ke mal y pense", "Honi soyt ki mal y pans" and various other phoneticizations. It is the motto of the English chivalric Order of the Garter. In Modern French it is rendered as "Honni soit qui mal y pense" (the modern conjugation of the verb honnir being honni). It is also written at the end of the manuscript Sir Gawain and the Green Knight but it appears to have been a later addition. Its literal translation from Old French is "Shame be to him who thinks evil of it". It is sometimes re-interpreted as "Evil be to him who evil thinks".

History

This statement supposedly originated when King Edward III was dancing with his first cousin and daughter-in-law, Joan of Kent. Her garter slipped down to her ankle, causing those around her to snigger at her humiliation. In an act of chivalry Edward placed the garter around his own leg, saying "Honi soit qui mal y pense", and the phrase later became the motto of the Order.

Translation
It may be understood as 'A scoundrel, who thinks badly by it', or 'Shame on him, who suspects illicit motivation'.

Other translations include: "Spurned be the one who evil thinks" and "Evil on him who thinks evil"

Tuesday, November 20, 2012

Positive Quiddity: Raymond Loewy

Raymond Loewy (November 5, 1893 – July 14, 1986) was an industrial designer, and the first to be featured on the cover of Time magazine, on October 31, 1949. Born in France, he spent most of his professional career in the United States. Among his work were the Shell and former BP logos, the Greyhound Scenicruiser bus, Coca-Cola vending machines, the Pennsylvania Railroad GG1 and S-1 locomotives, the Lucky Strike package, Coldspot refrigerators, the Studebaker Avanti and Champion, and the Air Force One livery. His career spanned seven decades.
 

Loewy designs

 

1910s

  • Ayrel
  • aircraft, 1909

 

1920s

  • Gestetner mimeograph duplicating machine shell, 1929

 

1930s

  • Boeing 307 – Interior of the Boeing 307 (Stratoliner) owned by Howard Hughes
  • International Harvester Farmall tractor letter series, 1939-1954
  • International Harvestor Metro series of light & medium duty vans and trucks, 1939
  • Pennsylvania Railroad:
    • PRR K4s steam locomotive
    • PRR S1 steam locomotive
    • PRR T1 steam locomotive
    • PRR GG1 electric locomotive, 1936
  • Sears products, including 1935 Sears Coldspot refrigerator

                                   Loewy at front of PRR S1 Locomotive
1940s
  • Electrolux L300 refrigerator, 1940
  • Harley-Davidson components of the 1941 74FL Knucklehead
  • Schick electric razor, 1941
  • Lucky Strike, white package, 1942
  • Electrolux floor polisher model B6, 1944
  • Fairbanks-Morse "Erie-built" (1945) and "C-liner" (1950) models, Model H10-44 (1944) and H-20-44 (1947), and early Model H-12-44 (1950), H-12-46 (1950), H-15-44 (1947), H-16-44 (1950), and H-16-66 (1950) diesel locomotives
  • Hallicrafters Model S-38 shortwave radio, 1946
  • Filben Maestro jukebox, 1947
  • 1947 Studebaker Champion, 1947
  • Baldwin Locomotive Works Model DR-4-4-15 "Sharknose" diesel locomotives, 1949
  • IBM 026 keypunch, 1949
  • Norfolk and Western Railway Roanoke, Virginia station renovation (now the O. Winston Link Museum), 1949

1950s

  • Union News restaurants coffee shop, at the TWA Flight Center, Idlewild
  • Le Creuset French Ovens
  • Lionel’s #497 Coal Loader, 1950
  • Greyhound Lines Double-Deck Coach PD-4501 Scenicruiser (US Patent 2,563,917), 1951.
  • Peace (cigarette), 1952
  • Studebaker Commander, 1953
  • Northern Pacific Railway, Vista-Dome North Coast Limited (exterior color scheme and interiors), 1954.
  • Coca-Cola redesign of the original contour bottle, eliminating Coca-Cola embossing and adding vivid white Coke/Coca-Cola lettering, designed and introduced first king-size or slenderized bottles, that is, 10, 12, 16 and 26 oz. (1955) Later, in 1960, he designed the first Coke steel can with diamond design.
  • Hillman Minx automobile, Series One onward, 1956–1959.
  • Scott-Atwater Royal Scott outboard motor made by McCulloch, 1957
  • 500-Series of Cockshutt tractors, 1958
  • Le Creuset Coquelle, 1958
  • Leisurama homes, 1959
  • Dorsett
  • recreational boats, 1959

 

1960s


  • USCG Racing Stripe logo (1964)
  • Air Force One’s distinctive blue, white and chrome livery, 1962. Variations on Loewy's original design are today flown by most of the U.S. Air Force's fleet of VIP aircraft, including the military "VC" models of 747s, 757s, 737s, and Gulfstreams.(A similar "livery" was applied in 2006 to Union Pacific diesel locvomotive #4141 to honor former president George H.W. Bush)
  • Union News restaurants coffee shop, at the TWA Flight Centerm, Idlewild, circa 1962
  • Studebaker Avanti, 1963
  • Unitef States Coast Guard "racing stripe" Service Mark, 1964
  • Five cents John Kennedy postage stamp, 1964
  • DF-2000 line of modern furniture, 1965
  • Exxon logo, 1966 (introduced in 1972)
  • New York City Transit Authority R40 car, whose slant-front design had to be retrofitted with guide rails due to safety concerns, 1967.
  • Chubb logo, 1968
  • Elna Styled the Lotus compact sewing machine. Elna's best selling - more than 1 million sold. Today you can find the Elna Lotus in the Design Collection of New York's Museum of Modern Art (MOMA),
  • SPAR logo, 1968

 


                               1963 Studebaker Avanti [not factory wheelcovers]

1970s

  • United States Postal Service eagle logo, 1970
  • Shell logo, 1971
  • Air France Concorde interior, 1975
  • NASA’s Skylab space station, first interior design standards for space travel including a porthole to allow a view of earth from space, interior designs and color schemes, a private area for each crew member to relax and sleep, food table and trays, coveralls, garment storage modules, designs for waste management
  • Norfolk Scope, hallmark and logo

 

Work in years or models unknown

  • Frigidaire refrigerators, ranges, and freezers
  • Coop logo
  • Panama Line: Loewy designed the interiors for a trio of American-built cargo liners named the SS Ancon, SS Cristobal and SS Panama.
  • the Wahl-Eversharp Symphony fountain pen.
  • The International Harvester "IH" "Man on a tractor" logo.
  • Dorsett "Catalina", a popular early fiberglass pleasure boat.
  • Zippo Lighter

Windsor Castle

Windsor Castle is a medieval castle and royal residence in Windsor in the English county of Berkshire that is notable for its long association with the British royal family and for its architecture. The original castle was built after the Norman invasion by William the Conqueror. Since the time of Henry I, it has been used by a succession of monarchs and is the longest-occupied palace in Europe. The castle's lavish, early 19th-century State Apartments are architecturally significant, described by art historian Hugh Roberts as "a superb and unrivalled sequence of rooms widely regarded as the finest and most complete expression of later Georgian taste". The castle includes the 15th-century St George’s Chapel, considered by historian John Robinson to be "one of the supreme achievements of English Perpendicular Gothic" design. More than five hundred people live and work in Windsor Castle.



Originally designed to protect Norman dominance around the outskirts of London, and to oversee a strategically important part of the River Thames, Windsor Castle was built as a motte and bailey, with three wards surrounding a central mound. Gradually replaced with stone fortifications, the castle withstood a prolonged siege during the First Baron’s War at the start of the 13th century. Henry III built a luxurious royal palace within the castle during the middle of the century, and Edward III went further, rebuilding the palace to produce an even grander set of buildings in what would become "the most expensive secular building project of the entire Middle Ages in England". Edward's core design lasted through the Tudor period, during which Henry VIII and Elizabeth I made increasing use of the castle as a royal court and centre for diplomatic entertainment.

Windsor Castle survived a tumultuous period during the English Civil War, in which the castle was used as a military headquarters for Parliamentary forces and a prison for Charles I. During the Restoration, Charles II rebuilt much of Windsor Castle with the help of architect Hugh May, creating a set of extravagant, Baroque interiors, still praised today. After a period of neglect during the 18th century, George III and George IV renovated and rebuilt Charles II's palace at colossal expense, producing the current design of the State Apartments, full of Rococo, Gothic and Baroque furnishings. Queen Victoria made minor changes to the castle, which became the centre for royal entertainment for much of her reign. Windsor Castle was used as a refuge for the royal family during the bombing campaigns of the Second World War and survived a fire in 1992. It is a popular tourist attraction, a venue for hosting state visits, and the Queen's preferred weekend home.

http://en.wikipedia.org/wiki/Windsor_Castle

Sunday, November 18, 2012

New Mexico Chili Cookoff

Introduction by the Blog Author

This was posted on Facebook.  It's probably true, or at least most of it.  What is says about human nature itself is reliably honest and forthright.

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New Mexico Chili Cookoff
Note: Please take time to read this slowly.
If you pay attention to the first two judges,
the reaction of the third judge is even better.

For those of you who have lived in New Mexico, you know how true this is. They actually have a Chili Cook-off about the time Halloween comes around. It takes up a major portion of a parking lot at the Santa Fe Plaza.

Judge #3 was an inexperienced Chili taster named Frank, who was visiting from Springfield , IL who said:

"Recently, I was honored to be selected as a judge at a chili cook-off. The original person called in sick at the last moment and I happened to be standing there at the judge's table, asking for directions to the Coor's Light truck, when the call came in. I was assured by the other two judges (Native New Mexicans) that the chili wouldn't be all that spicy; and, besides, they told me I could have free beer during the tasting, so I accepted and became Judge #3."

Here are the score card notes from the event:

CHILI #1 - MIKE'S MANIAC MONSTER CHILI
Judge # 1 -- A little too heavy on the tomato. Amusing kick.
Judge # 2 -- Nice, smooth tomato flavor. Very mild.
Judge # 3 (Frank) -- Holy crap, what the hell is this stuff? You could remove dried paint from your driveway. Took me two beers to put the flames out. I hope that's the worst one. These New Mexicans are crazy.

CHILI # 2 - EL RANCHO'S AFTERBURNER CHILI
Judge # 1 -- Smoky, with a hint of pork. Slight jalapeno tang.
Judge # 2 -- Exciting BBQ flavor, needs more peppers to be taken seriously.
Judge # 3 -- Keep this out of the reach of children. I'm not sure what I'm supposed to taste besides pain. I had to wave off two people who wanted to give me the Heimlich maneuver. They had to rush in more beer when they saw the look on my face.

CHILI # 3 - ALFREDO'S FAMOUS BURN DOWN THE BARN CHILI
Judge # 1 -- Excellent firehouse chili. Great kick.
Judge # 2 -- A bit salty, good use of peppers.
Judge # 3 -- Call the EPA. I've located a uranium spill. My nose feels like I have been snorting Drano. Everyone knows the routine by now. Get me more beer before I ignite. Barmaid pounded me on the back, now my backbone is in the front part of my chest. I'm getting sh*t-faced from all of the beer.

CHILI # 4 - BUBBA'S BLACK MAGIC
Judge # 1 -- Black bean chili with almost no spice. Disappointing.
Judge # 2 -- Hint of lime in the black beans. Good side dish for fish or other mild foods, not much of a chili.
Judge # 3 -- I felt something scraping across my tongue, but was unable to taste it. Is it possible to burn out taste buds? Sally, the beer maid, was standing behind me with fresh refills. This very ugly woman is starting to look HOT ... Just like this nuclear waste I'm eating! Is chili an aphrodisiac?

CHILI # 5 - LISA'S LEGAL LIP REMOVER
Judge # 1 -- Meaty, strong chili. Jalapeno peppers freshly ground, adding considerable kick. Very impressive.
Judge # 2 -- Chili using shredded beef, could use more tomato. Must admit the jalapeno peppers make a strong statement.
Judge # 3 -- My ears are ringing, sweat is pouring off my forehead and I can no longer focus my eyes. I farted, and four people behind me needed paramedics. The contestant seemed offended when I told her that her chili had given me brain damage. Sally saved my tongue from bleeding by pouring beer directly on it from the pitcher. I wonder if I'm burning my lips off.. It really ticks me off that the other judges asked me to stop screaming. Screw them.
CHILI # 6 - VARGA'S VERY VEGETARIAN VARIETY
Judge # 1 -- Thin yet bold vegetarian variety chili. Good balance of spices and peppers.
Judge # 2 -- The best yet. Aggressive use of peppers, onions, garlic. Superb.
Judge # 3 -- My intestines are now a straight pipe filled with gaseous, sulfuric flames. I crapped on myself when I farted, and I'm worried it will eat through the chair. No one seems inclined to stand behind me except that Sally. Can't feel my lips anymore. I need to wipe my butt with a snow cone.

CHILI # 7 - SUSAN'S SCREAMING SENSATION CHILI
Judge # 1 -- A mediocre chili with too much reliance on canned peppers.
Judge # 2 -- Ho hum, tastes as if the chef literally threw in a can of chili peppers at the last moment. **I should take note that I am worried about Judge #3. He appears to be in a bit of distress as he is cursing uncontrollably.
Judge # 3 -- You could put a grenade in my mouth, pull the pin, and I wouldn't feel a thing. I've lost sight in one eye, and the world sounds like it is made of rushing water. My shirt is covered with chili, which slid unnoticed out of my mouth. My pants are full of lava to match my shirt. At least during the autopsy, they'll know what killed me. I've decided to stop breathing. It's too painful. Screw it; I'm not getting any oxygen anyway. If I need air, I'll just suck it in through the 4-inch hole in my stomach..

CHILI # 8 - BIG TOM'S TOENAIL CURLING CHILI
Judge # 1 -- The perfect ending, this is a nice blend chili. Not too bold but spicy enough to declare its existence.
Judge # 2 -- This final entry is a good, balanced chili. Neither mild nor hot. Sorry to see that most of it was lost when Judge #3 farted, passed out, fell over and pulled the chili pot down on top of himself. Not sure if he's going to make it. Poor fella, wonder how he'd have reacted to really hot chili?
Judge # 3 -- No report.