Saturday, January 4, 2014

Positive Quiddity: Curtis Mayfield

Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American soul, R&B, and funk singer, songwriter, and record producer. He achieved success with The Impressions during the Civil Rights Movement of the 1960s and recorded the soundtrack to the blaxploitation film Super Fly, Mayfield is regarded as a pioneer of funk and of politically conscious African-American music. He was also a multi-instrumentalist who played the guitar, bass, piano, saxophone, and drums. Mayfield is a winner of both the Grammy Legend Award (in 1994) and the Grammy Lifetime Achievement Award (in 1995), and he was a double inductee into The Rock and Roll Hall of Fame, inducted as a member of The Impressions into The Rock and Roll Hall of Fame in 1991, and again in 1999 as a solo artist. He is also a two-time Grammy Hall of Fame inductee.

Early Years and The Impressions
Mayfield's career began in 1956 when he joined The Roosters with Arthur and Richard Brooks and Jerry Butler. Two years later The Roosters, now including also Sam Gooden, became The Impressions. The band had one big hit with "For Your Precious Love". After Butler left the group and was replaced with Fred Cash, (a returning original Roosters member), Mayfield became lead singer, frequently composing for the band, starting with "Gypsy Woman", a Top 20 Pop hit. Their hit "Amen," (Top 10), an updated version of an old gospel tune, was included in the soundtrack of the 1963 MGM film Lilies of the Field, which starred Sidney Poitier. The Impressions reached the height of their popularity in the mid-to-late-'60s with a string of Mayfield compositions that included "Keep on Pushing," "People Get Ready", "It's All Right" (Top 10), the uptempo "Talking about My Baby"(Top 20), "Woman's Got Soul", "Choice of Colors,"(Top 20), "Fool For You," "This is My Country" and "Check Out Your Mind." Mayfield had written much of the soundtrack of the civil rights movement in the early 1960s, but by the end of the decade he was a pioneering voice in the black pride movement along with James Brown and Sly Stone. Mayfield's "We’re a Winner", a Number 1 soul hit which also reached the Billboard pop Top 20, became an anthem of the black power and black pride movements when it was released in late 1967, much as his earlier "Keep on Pushing" (whose title is quoted in the lyrics of "We're a Winner" and also in "Move On Up") had been an anthem for Martin Luther King, Jr. and the Civil Rights Movement.

Mayfield was a prolific songwriter in Chicago even outside his work for The Impressions, writing and producing scores of hits for many other artists. He also owned the Mayfield and Windy C labels which were distributed by Cameo-Parkway, and was a partner in the Curtom (first independent, then distributed by Buddah then Warner Bros and finally RSO) and Thomas labels (first independent, then distributed by Atlantic, then independent again and finally Buddah).

Among Mayfield's greatest songwriting successes were three hits for Jerry Butler on Vee Jay. His harmony vocals are very prominent ("He Will Break Your Heart", "Find Another Girl" and "I'm A-Tellin' You"). He also had great success writing and arranging Jan Bradley's "Mama Didn't Lie". Starting in 1963, he was heavily involving in writing and arranging for OKeh Records (with Carl Davis producing), which included hits by Major Lance, Billy Butler and The Artistics. This arrangement ran through 1965.

Solo Years
In 1970, Mayfield left The Impressions and began a solo career, founding the independent record label Curtom Records. Curtom went on to release most of Mayfield's landmark 1970s records, as well as records by the Impressions, Leroy Hutson, The Staple Singers, Mavis Staples, and Baby Huey and the Babysitters, a group which at the time included Chaka Khan. Many of these records were also produced by Mayfield.

                                         Curtis Mayfield in Europe (1973)
The commercial and critical peak of his solo career came with his music record album Super Fly, the soundtrack to the blaxploitation film of the same name, and one of the most influential albums in African-American history. Unlike the soundtracks to other blaxploitation films (most notably Isaac Hayes' score for Shaft), which glorified the ghetto excesses of the characters, Mayfield's lyrics consisted of hard-hitting commentary on the state of affairs in black, urban ghettos at the time, as well as direct criticisms of several characters in the film. Bob Donat wrote in Rolling Stone Magazine in 1972 that while the film's message "was diluted by schizoid cross-purposes" because it "glamorizes machismo-cocaine consciousness... the anti-drug message on [Mayfield's soundtrack] is far stronger and more definite than in the film." Along with Marvin Gaye’s What’s Going On and Stevie Wonder’s Innervisions, this album ushered in a new socially conscious, funky style of popular soul music. He was dubbed 'The Gentle Genius' to reflect his outstanding and innovative musical output with the constant presence of his soft yet insistent vocals. The single releases "Freddie’s Dead" and "Super Fly" both sold over one million copies each, and were awarded gold discs by the R.I.A.A.

Super Fly
brought success that resulted in Mayfield being tapped for additional soundtracks, some of which he wrote and produced while having others perform the vocals. Gladys Knight & the Pips recorded Mayfield's soundtrack for Claudine in 1974, while Aretha Franklin recorded the soundtrack for Sparkle in 1976. Mayfield also worked with The Staples Singers on the soundtrack for the 1975 film Let’s Do It Again, and teamed up with Mavis Staples exclusively on the 1977 film soundtrack A Piece of the Action (both movies were part of a trilogy of films that featured the acting and comedic exploits of Bill Cosby and Sjdney Poitier and were directed by Poitier). While Mayfield felt he was in danger of overreaching himself being writer, producer, performer, arranger and businessman, he nonetheless seemed to cope and still produce a remarkable output.
One of Mayfield's most successful funk-disco meldings was the 1977 hit "Do Do Wap is Strong in Here" from his soundtrack to the Robert M. Young film of Miguel Pinero’s play Short Eyes. In his 2003 biography of Curtis Mayfield, titled "People Never Give Up", author Peter Burns noted that Curtis has 140 songs in the Curtom vaults. Burns indicated that the songs maybe already completed or in the stages of completion, so that they could then be released commercially. These recordings include "The Great Escape", "In The News", "Turn up the Radio", "What’s The Situation?" and one recording labelled "Curtis at Montreux Jazz Festival 87". Two other albums, featuring Curtis Mayfield present in the Curtom vaults and as yet unissued are, a 1982/83 live recording titled "25th Silver Anniversary" (which features performances by Curtis, The Impressions and Jerry Butler) and a live performance, recorded in September 1966 by The Impressions titled 'Live at the Club Chicago'.

In later years, Mayfield's music would be included in the movies I’m Gonna Git You Sucka, Hollywood Shuffle, Friday (though not on the soundtrack), and Short Eyes (1977) where he had a cameo role as a prisoner.

Later Years and Death
Mayfield was active throughout the 1970s and 1980s, though he had a somewhat lower public profile in the 1980s. On August 13, 1990, Mayfield was paralyzed from the neck down after stage lighting equipment fell on him at an outdoor concert at Wingate Field in Flatbush, Brooklyn, New York. He was unable to play guitar, but he wrote, sang, and directed the recording of his last album, New World Order. Mayfield's vocals were painstakingly recorded, usually line-by-line while lying on his back.

Mayfield received the Grammy Lifetime Achievement Award in 1995. In February 1998, he had to have his right leg amputated owing to diabetes. Mayfield was inducted into the Rock & Roll Hall of Fame on March 15, 1999. Health reasons prevented him from attending the ceremony, which included fellow inductees Paul McCartney, Billy Joel, Bruce Springsteen, Dusty Springfield, George Martin and 1970s Curtom signee and labelmate The Staple Singers.

His last appearance on record was with the group Bran Van 3000 on the song "Astounded" for their album Discosis, recorded just before his death and released in 2001.

Curtis Mayfield died from diabetes on December 26, 1999 at the North Fulton Regional Hospital in Roswell, Georgia; his health having steadily declined following his paralysis.

http://en.wikipedia.org/wiki/Curtis_Mayfield

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