Ieoh Ming Pei, FAIA, RIBA (26 April 1917 – 16 May 2019)
was a Chinese-American architect. Born in Guangzhou and raised in Hong Kong and
Shanghai, Pei drew inspiration at an early age from the garden villas at Suzhou,
the traditional retreat of the scholar-gentry to which his family belonged. In
1935, he moved to the United States
and enrolled in the University
of Pennsylvania 's
architecture school, but quickly transferred to the Massachusetts Institute of
Technology. He was unhappy with the focus at both schools on Beaux-Arts
architecture, and spent his free time researching emerging architects,
especially Le Corbusier. After graduating, he joined the Harvard Graduate
School of Design (GSD) and became a friend of the Bauhaus architects Walter
Gropius and Marcel Breuer. In 1948, Pei was
recruited by New York City real estate magnate William
Zeckendorf, for whom he worked for seven years before establishing his own
independent design firm, I. M. Pei & Associates, in 1955, which became I. M. Pei & Partners in 1966 and later in 1989 became
Pei Cobb Freed & Partners. Pei
retired from full-time practice in 1990. In his retirement, he worked as an
architectural consultant primarily from his sons' architectural firm Pei
Partnership Architects.
Pei 's first major recognition came with the Mesa
Laboratory at the National Center for Atmospheric Research in Colorado (designed in 1961, and completed in
1967). His new stature led to his selection as chief architect for the John F.
Kennedy Library in Massachusetts .
He went on to design Dallas City Hall and the East Building
of the National Gallery of Art. He returned to China
for the first time in 1975 to design a hotel at Fragrant Hills, and designed Bank
of China Tower, Hong Kong, a skyscraper in Hong Kong
for the Bank of China fifteen years later. In the early 1980s, Pei was the focus of controversy when he designed a
glass-and-steel pyramid for the Musée du Louvre in Paris . He later returned to the world of the
arts by designing the Morton H. Meyerson Symphony Center in Dallas, the Miho
Museum in Japan, Shigaraki, near Kyoto, and the chapel of the junior and high
school: MIHO Institute of Aesthetics, the Suzhou Museum in Suzhou, Museum of
Islamic Art in Qatar, and the Grand Duke Jean Museum of Modern Art, abbreviated
to Mudam, in Luxembourg.
Awards and Honors
In the words of
his biographer, Pei won "every award of any consequence in his art,"
including the Arnold Brunner Award from the National Institute of Arts and
Letters (1963), the Gold Medal for Architecture from the American Academy of
Arts and Letters (1979), the AIA Gold Medal (1979), the first Praemium
Imperiale for Architecture from the Japan Art Association (1989), the
Lifetime Achievement Award from the Cooper-Hewitt, National Design Museum, the
1998 Edward MacDowell Medal in the Arts, and the 2010 Royal Gold Medal from the
Royal Institute of British Architects. In 1983 he was awarded the Pritzker
Prize, sometimes called the Nobel Prize of architecture. In its citation, the
jury said: "Ieoh Ming Pei has given this century some of its most
beautiful interior spaces and exterior forms ... His versatility and skill
in the use of materials approach the level of poetry." The prize was
accompanied by a US$100,000 award, which Pei
used to create a scholarship for Chinese students to study architecture in the U.S. , on the condition that they return to China to work.
In 1986, he was one of twelve recipients of the Medal of Liberty. When he was
awarded the 2003 Henry C. Turner Prize by the National Building
Museum , museum board
chair Carolyn Brody praised his impact on construction innovation: "His
magnificent designs have challenged engineers to devise innovative structural
solutions, and his exacting expectations for construction quality have
encouraged contractors to achieve high standards." In December 1992, Pei was awarded the Presidential
Medal of Freedom by President George H. W. Bush.
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