Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was
an American author. She was a popular writer in her time, and her work has
received increased attention from literary critics in recent years. She
influenced Neil Gaiman, Stephen King, Nigel Kneale, Joanne Harris and Richard
Matheson.
She is best known for the short story "The Lottery" (1948), which reveals a secret, sinister underside to a bucolic American village, and for The Haunting of Hill House (1959), which is widely considered to be one of the best ghost stories ever written. In her critical biography ofJackson ,
Lenemaja Friedman notes that when "The Lottery" was published in the
June 26, 1948, issue of The New Yorker, it received a response that
"no New Yorker story had ever received". Hundreds of letters
poured in that were characterized by, as Jackson
put it, "bewilderment, speculation, and old-fashioned abuse". In the
July 22, 1948, issue of the San Francisco Chronicle, Jackson offered the
following in response to persistent queries from her readers about her
intentions:
Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.
Jackson 's husband, the literary critic Stanley Edgar Hyman, wrote in his preface
to a posthumous anthology of her work that "she consistently refused to be
interviewed, to explain or promote her work in any fashion, or to take public
stands and be the pundit of the Sunday supplements. She believed that her books
would speak for her clearly enough over the years". Hyman insisted that
the dark visions found in Jackson's work were not, as some critics claimed, the
product of "personal, even neurotic, fantasies", but, rather,
comprised "a sensitive and faithful anatomy" of the Cold War era in
which she lived, "fitting symbols for [a] distressing world of the
concentration camp and the Bomb." Jackson
may even have taken pleasure in the subversive impact of her work, as revealed
by Hyman's statement that she "was always proud that the Union of South
Africa banned 'The Lottery', and she felt that they at least understood the
story".
Jackson ’s Work
Her novel The Haunting of Hill House (1959) is a highly regarded example of the haunted house story, and was described by Stephen King as one of the important horror novels of the twentieth century. This contemporary updating of the classic ghost story has a vivid and powerful opening paragraph:
An earlier novel, Hangsaman (1951), and her short story "The Missing Girl" (from Just an Ordinary Day, the 1995 collection of previously unpublished or uncollected short stories) both contain certain elements similar to the mysterious real-life December 1, 1946, disappearance of an 18-year-oldBennington College
sophomore, Paula Jean Welden of Stamford ,
Connecticut . This event, which
remains unsolved to this day, took place in the wooded wilderness of Glastenbury Mountain
near Bennington in southern Vermont , where Jackson and her family were
living at the time. The fictional college depicted in Hangsaman is based
in part on Jackson 's experiences at Bennington College ,
as indicated by Jackson 's
papers in the Library of Congress.
Her other novels include The Bird's Nest (1954), We Have Always Lived in the Castle (1962), and The Sundial (1958).
In addition to her adult literary novels,Jackson
wrote a children's novel, Nine Magic Wishes, available in an edition
illustrated by her grandson, Miles Hyman, as well as a children's play based on
Hansel and Gretel, entitled The Bad Children.
She also wrote humorous sketches and short stories depicting everyday aspects of family life, which she published in popular magazines, such as Good Housekeeping, Woman's Day and Collier’s, and later collected in her books Life Among the Savages (1953) and Raising Demons (1957). A sort of fictionalized version of her marriage and the experience of bringing up four children, these works are "true-to-life funny-housewife stories" of the type later popularized by such writers as Jean Kerr and Erma Bombeck during the 1950s and 1960s
She is best known for the short story "The Lottery" (1948), which reveals a secret, sinister underside to a bucolic American village, and for The Haunting of Hill House (1959), which is widely considered to be one of the best ghost stories ever written. In her critical biography of
Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.
Her novel The Haunting of Hill House (1959) is a highly regarded example of the haunted house story, and was described by Stephen King as one of the important horror novels of the twentieth century. This contemporary updating of the classic ghost story has a vivid and powerful opening paragraph:
No live organism can continue
for long to exist sanely under conditions of absolute reality; even larks and
katydids are supposed, by some, to dream. Hill House, not sane, stood by itself
against its hills, holding darkness within; it had stood so for eighty years
and might stand for eighty more. Within, walls continued upright, bricks met
neatly, floors were firm, and doors were sensibly shut; silence lay steadily
against the wood and stone of Hill House, and whatever walked there, walked
alone.
An earlier novel, Hangsaman (1951), and her short story "The Missing Girl" (from Just an Ordinary Day, the 1995 collection of previously unpublished or uncollected short stories) both contain certain elements similar to the mysterious real-life December 1, 1946, disappearance of an 18-year-old
Her other novels include The Bird's Nest (1954), We Have Always Lived in the Castle (1962), and The Sundial (1958).
In addition to her adult literary novels,
She also wrote humorous sketches and short stories depicting everyday aspects of family life, which she published in popular magazines, such as Good Housekeeping, Woman's Day and Collier’s, and later collected in her books Life Among the Savages (1953) and Raising Demons (1957). A sort of fictionalized version of her marriage and the experience of bringing up four children, these works are "true-to-life funny-housewife stories" of the type later popularized by such writers as Jean Kerr and Erma Bombeck during the 1950s and 1960s
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